Okay… I hate Blogger.

Okay… I hate Blogger.

How many times have I written posts only to lose them when I go to publish them?

I've learned to copy the text first, though I don't always remember.

This time… I was in the process of copying the text… and it all disappeared, never to return again.

Grrrr.

And I don't want to waste time rewriting it all now. Fucking FUCK!!!

Perhaps in a day or two I'll try again.

In a few sentences what I lost was…

We had some meetings with various financiers/development people - generally good.

Tony our Telefilm contact has left Telefilm - could be good.

We interviewed 1st A.D.s - one excellent candidate, we hope she says yes. We may want to hire others we interviewed for different jobs.

Bleah!

- Kennedy

Fortunate Meeting

There are actually a number of things worth mentioning…

A week ago yesterday I met with Neil Every regarding the script. Ouch. Well... good and bad. He generally loved the script, but I walked away with three pages of notes — most of which rang really true — of things he felt we could improve.

Gawd… we've done this how many times? I'm tired of rewriting this damned script.

We'll do it, but… augh!

If Neil's notes didn't feel right, it would be a different story. Much of what he had to say appeared to me to be symptoms of minute changes in various directions which have gradually dragged the script away from strengths it once had in order to serve other elements that needed to be buoyed up.

I guess it feels a bit like the wheels are spinning.

But in other news…

I scored a gig that technically speaking I have no business doing. It's only about 5 or 6 days of work, but I got a job on an indie-feature wearing a number of hats — in this case I was brought on as the B-Roll director/camera-operator, but it has morphed/blossomed into B-Roll/B-Cam/2nd Unit/1st A.D. (when the real 1st A.D. is unavailable)/and now possibly location scout. It's certainly the nature of Indie film, but the difference between this and anything else I've ever done is that there are some very real star-power (Canadian famous) in this one.

But the real story here is that the Senior Investment Analyst for Telefilm is one of the producers.

He knew who I was — he had been impressed by the eBay initiative. He gave me his card and wants to talk. Yoiks.

- Kennedy

Features First, left behind

Blah.

Okay, we blew it. Sort of.

Craig is now off in Toronto for a few months, which makes things harder. We knew this was going to happen, but I don't think we quite appreciated its impact… but I suppose that is sort of shifting blame a bit too. I did just lose the better part of a month to rehearsing and performing a Fringe Festival Show.

Wendy and I met, night before last to get our Features First application back on track. Part way through the evening I admitted that for various reasons I feel like Features First is the wrong program for us. Part of that is a certain fear of someone trying to push us to make the film something that it was never intended to be, but that is going to be a reality no matter how we get this thing made. I feel like the Features First schedule (over 10 months) is contrary to what our intentions are — this film is going to happen in the spring, not a year hence. Having said that, the Features First program would be an awesome experience — I just don't think that this is the right project.

Further on in the meeting Wendy made a call to a professional acquaintance to ask about some budgeting information. From the one side of the conversation I heard I could grok a lot of info.

1. Wendy was getting a lot of insight out of the discussion
2. We weren't going to get the budget done right on time.

When she hung up that was exactly what she imparted. Yes, we could get the budget done on time, but not well — and certainly not for free, or even cheap. Ah the immortal equation: Speed, Quality, Cheap... pick two.

But we did get put onto something else... the CFC's Feature Film Project. Very similar to Features First in both application requirements and benefits, but even more suitable to our needs and with a deadline an extra two weeks away (a critical amount of time) AND with a second application date in January.

In the end this was kind of a no-brainer.

- Kennedy

Report from the ReelFast Frontlines

The ReelFast gala was last night.

I can't say I've ever enjoyed it more. The top ten films were actually the top twelve (five years running that there was a tie for the 10th place — me thinks they should put a process in place to deal with that), and not one of them offended me as a choice. There were two which I would not have picked as top ten, but neither upset my sensibilities.

I ran into Rob Neilson who was our editor for last year's project. He's doing quite interesting stuff around town these days. I know he's aching to direct a comedy. He apologised for not making it to our launch, but wanted to discuss the project. It didn't really happen last night, but we did discuss discussing it. I don't know what we'd do if he said he wanted to direct and could add some promise to it really happening. ‘…Cross that bridge when we come to it’, I guess.

Also got to thank Lori Triolo for the Cold Reading Series' donation to the project.

Her film made the top ten. Nice piece. Their location was our submission (our photograph was poorly used in the Audience Choice Award winner, and our food donation also made it into a top ten film).

Our auction winners have started contacting us. Tracey is going to handle the $$ business and then we'll take over from there.

- Kennedy

Is this it?

Well, I'd hoped for better, but with only four hours left until the auctions are over, I'm betting we're pretty much looking at our final price. But our hits are pretty great.

Craig sent me an edit of the script yesterday, I just finished going over it. Lots of good food for thought. Certainly freshened my mind as far as the structure goes. I'm resisting two of his larger changes, but in so doing I've been forced to more carefully consider

1. what the scenes in question accomplish in the movie
2. if there aren't better solutions than either what existed or what he did.

In both cases I think we're on our way to a cleaner solution to the plot points involved.

In one case, I think he over-cut in order to fix a problem (and actually failed to cut a portion that was even more of an issue in the same problem); in the other, I think he cut where he should have been adding (and not much adding at that). He came up with a few other changes which generally were positive and if anything inspired me to think outside of what we'd already established. Hopefully this draft will round out in a few days.

Craig is leaving for Toronto soon (Sept 1st). Kind of scary. Just as we need to kick out the jams on our NSI application.

- Kennedy

More and more…!!! BRICKWALL!!!

Well, we got featured in a front page article in the Vancouver Sun business section on Monday, and our price on the Executive Producer credit went up by 400%. That's the good way of saying it. The other way is to say that it went up by almost $400. But the publicity remains positive and we haven't lost any money, which is even better. Still two days to go.

We got notification that Playback magazine will be featuring us on the 29th. Not soon enough to benefit the auction, but still good press to use.

Big couple of days.

The screenings for ReelFast were yesterday and the day before. I used Monday to do a bunch of networking. That went well.

Last night there wasn't much networking left to do, I'd pretty much worked the room. But it was the screening of my ReelFast directing début — as flawed as it was. The audience gave it a big round of applause when it was done, and reacted positively throughout. The three shots that I expected to get good responses, did, which makes me think I do have a sense of what people like and don't like. And the applause afterwards shows me that our effort was seen — even though the realization fell shy. Lots of good comments afterwards.

Phil Mahoney came to me last night with a CD and DVD demo-reel combo. He asked if we had a composer for The Beast yet — cool acknowledgement. I feel a bit like last night that, despite the short-comings of the my entry, I have been legitimized as a film-maker. It wasn't all last night, but last night was where my peers got to say 'hey, we respect you.'

Yesterday I met with Neil Every during the day. We had a good chat. He's offered to do coverage on The Beast — which is great. It'd be awesome if we could get more from him beyond that, but we'll wait and see. His feed-back yesterday alone was awesome. Raised some big questions for Craig and I to consider.

We also discussed Features First, which we are planning to apply for (despite the fact that it'll change our shooting schedule). He is planning to go for it too. Speaking of Features First, I also ran into Justin McGregor last night who is in the middle of the program right now. He agreed to let me pick his mind for a beer to four.

— Kennedy

A Quiet Saturday

Craig and Wendy and I had an early start today. Woke at 6am for a 7am meeting.

We are a bit in "what now?" mode.

We're a bit confused by the response on eBay. Lots of hits as far as we're concerned, but the price is growing pretty slowly. On one level we know that the heavy hitters aren't even going to get involved when the price is this low — certainly not until the end. Why would they come and inflate the price now? But it's unsettling. The price still grows, but it has yet to pay for the launch… not that the launch was about much more than getting some attention — which it succeeded in doing. But with all this attention, why is there such cautious bidding? You'd think that average joe would be thinking "Wow! I could buy a chance to advertise in a movie for a pittance!" I dunno. We've got attention — that's the bottom line.

We really met to discuss additional funding possibilities. We have to work towards getting other money. Pure and simple. And we can't drop the ball when we've got this momentum going.

In the interviews so far we keep getting asked the same question. I hate having to dodge it. "What is your budget?" The real answer is, the budget is whatever we get, but we can't fucking SAY that — well, I just did, but I mean we can't say that in a newspaper article! And when we meet with investors we need to have a detailed budget. We've had a number of doors open along those lines and we can't go in and screw our credibility by not knowing what we're asking for. We were under such pressure to get the launch up and the auction well done that we dropped all other tasks.

We've got to get this done and fast. Craig is going to do a budget this weekend, but that's a weak solution. We need to get someone who knows their stuff to do it up and fast.

Not liking this very much. I dreamed that there was a bit of a break here. What a knob I was. At least the phone isn't ringing... a quiet Saturday... is that really a good thing?

- Kennedy