Showing posts with label bids. Show all posts
Showing posts with label bids. Show all posts

09 May, 2007

A Bird Shit on a Squirrel

Kennedy Goodkey - Writer DudeThis may be my last entry until we are finished shooting. It almost certainly will be until we return from K-Town.

We've taken to calling the Okanagan portion of the shoot 'K-Town' which is a bit of a misnomer. We are shooting in Kelowna — which has a store called 'K-Town Souvenirs', so I suppose Kelowna is K-Town. But in fact we are shooting more in Summerland (home of the late — and arguably first great — Canadian playwright, George Ryga) than anywhere else.

Craig has left for K-Town this evening. I am left here. My 'to-do' list is by now very short and can be summed up by the single word 'pack.' Saying that all I have left to do is 'pack' is a bit specious though. What I have to do is pack a fully ordinanced army and get them to K-Town by Saturday.

Sleep? Whatever. I remember what sleep tastes like. It IS something that you taste… right?

I soldier on.

I don't know who it was who first said something to the effect of ‘commit to your shooting date and all the problems will solve themselves.' I should point out that anyone who can't make that claim is a failed independent film-maker and has no credibility to take seriously. So far we've had a lot of luck in the 'problems will solve themselves' department. Especially in the past three days. A lot of ulcer-makers have in fact solved themselves.

For example, 45 minutes after our third (yes, THIRD) special props builder who was building the 'Ness-Sled' called to bail on me, my upstairs neighbour — entirely unaware of my plight — knocked on my door to tell me about a friend of his who he works with who… do I even have to finish this sentence?

The list goes on. And I think a lot of that has to do with the act of soldiering on, not caring about the crap that comes your way.

Late last week I was on the phone with Craig — we must talk more than he and his wife have this month — and was in the middle of explaining some situation or another to him (it's truly irrelevant what). As I was talking, a squirrel was walking along the fence in front of the office (oh, how I long for the day when I can call it an 'apartment'… 'MY apartment' again) when suddenly out of the blue, swooped a bird. And the damned thing shit-bombed the squirrel! Dead on, too! The squirrel kept on walking.

Whatever sentence I was in the middle of saying was immediately high-jacked by the exclamation "A bird just shit on a squirrel!"

How unlikely is it that a bird would try that, let alone actually hit? And the squirrel just kept on going along the fence.

Craig suggested that that should be our motto: "A bird shit on a squirrel." No matter how bizarre or unlikely the mishap, keep soldiering on, just like that squirrel.

And it seems as though there is nothing left that can stop us.

Well, there IS the union thing again.

"Again?", you ask, "What ‘Union thing’?"

Well, we didn't talk about it before for any number of political reasons. But it's now too late for it to be an issue. Last Summer when we postponed, it wasn't quite as our official story has been, that “the forest fires in the US blew too much smoke into the Okanagan”; which they did, but we COULD have shot through that, as unpleasant as it would have been. It was the actors’ union. OUR union. They refused to let us make the movie. I'm not going to get into it in detail. Suffice to say that with less than two weeks to go, they disallowed our low-budget waiver. Our waiver which clearly met all the stated stipulations of the low-budget program.

Over the past months they provided us a new option - a new option which we are the pilot project for. The MIP - Member Initiated Production. We've done our best to help them identify the issues with it, and again we've met the requirements… which was not easy, as they several times told us one thing, then turned around and told us that they had made a mistake and that the 'other thing' was the case. One of these cost us nearly two weeks… ending only earlier this week! The other was solved in a day… ALSO this week.

I may elaborate later, but I've got an army to move.

For the record, the union requires that you submit TWO weeks in advance. We submitted in advance three weeks to the day.

We shoot on Monday. Five days away from my writing this. They still haven't said 'yes.' And when they do, we still have to make offers to our cast's agents… uh, WHEN am I doing THAT? Remember I have to muster the army?! Craig is already in K-Town with David.

The fact is, we've committed far too many resources to this project already; resources we can't get back. And by now, all our Union actors are producers of the project. If the Union happened to say 'no' right now, do you think there is a labour court in the country that would agree with them and say "You can't be in this film THAT YOU ARE PRODUCING"?! I doubt it.

But let's say that anywhere between tomorrow morning and Monday when cameras roll and no-one is here in 'Provost Pictures’ Office' to take the call, that the Union calls and says "Sorry!" Not that this is how they did it last time; last time they left voice mail just as they closed their office for a long-weekend, the cowards!

It just doesn't matter what kind of shit bomb they dump on us, we're going to keep walking along that fence.

In any case, it's fucking asinine that we've now TWO business days before the shoot and we haven't heard from them.
— Kennedy

17 August, 2005

The Day After…

Kennedy Goodkey - Writer DudeLast night, after a harried six weeks of planning, we launched Provost Pictures and went public with our original Publicity and Funding strategy.

The attendance at the event was both less than we'd hoped, but better than we'd feared. I'm guessing there were 75 people there over the course of the evening… although I doubt anyone actually did a head count.

I was exhausted before we opened the doors, but I managed to push through the evening. But when I got home I think I fell asleep in mid-sentence when talking to Eden.

I am still pretty scattered — it was a long haul up to yesterday and the event was preceded by the 48 hour film-competition, which I had committed to before we set a date for the launch. Hopefully I'll ‘reel it in’ (pardon the pun) in the next few days. So apologies for the dis-jointed nature of this post.

The short version is:
  • Provost Pictures is a company formed in order to film a feature length film entitled The Beast of Bottomless Lake which I began writing with my friend Keith in about 1998. It was originally titled The Nightmare Beast of Blood Lake: A Scientific Overview and has had almost as many titles as drafts.
  • Keith and I brought another collaborator on board in 2000. Craig March. Craig and I had been in an independent film together called Sons of Cohen (don't bother trying to find it) and he and Keith had long been looking for a chance to work together.
  • In the late spring of 2001, just as we were getting a bunch of attention on the screenplay — during “National Bike Month” of all things — Keith was killed in a bicycle accident.
  • Needless to say this wasn't good for the project or us, and despite our best intentions the film got un-officially shelved.
  • Eventually Craig and I got back to the script and with the help of a story editor - Mark Leiren-Young - we finished a nice tight version of the script which eventually was read at the Final Draught Reading Series.
  • The Final Draught reading was a BIG success. It was one of Final Draught's best attended evenings. And the seemingly endless laughter was truly vindicating. God how I wish Keith could have been there to see it. Janet, Keith's wife had it videoed for posterity.
Fast Forward to about six weeks ago…
  • I read something — I can't even recall what now — in a newspaper about the latest stupid thing that someone had put up for auction on eBay… I think it was 'Run-away Bride Toast'… and it had sold for some embarrassingly high price. Just criminal. I thought to myself, I'd like to get a piece of that action, but it also occurred to me that there had to be a law of diminishing returns applied to it and that the fad of selling stupid stuff on eBay was bound to come to a crashing halt soon. I asked myself 'how could someone find a new and refreshing twist on the idea?' It struck me that the answer lay in finding something equally 'out-of-the-box' yet significantly more pragmatic than toast.
  • I was riding my bike home from Eden’s when it struck me: The film… how many times had Craig and I tried to get money for the damned thing? We'd been so close several times, but it always fell through. I knew I had my answer.
  • I called Craig the moment I walked in the door. I knew that it was only a matter of time before someone else tried it.
  • Craig brought Wendy on board, and we formed Provost Pictures in honour of Keith.
It was a LOT of work to get to last night. I already mentioned my ReelFast project, and I was also committed to doing a show in the Fringe Festival based on one of my favourite books, Cosmic Banditos (an authorized adaptation, no less) — which is not to mention that I also somehow had to do all this work and keep my lovely girlfriend as my girlfriend (somehow I managed to pull that off).

ReelFast was ludicrously exhausting. I've done the contest four times before. Never has it been such hard work — but we only have ourselves to blame, we decided to shoot the entire thing one frame at a time with still cameras as stop-motion. But I digress…

Awake doing the contest for 48 hours, then a short night's rest, followed by two days of prep for the Launch.

The launch was a lot of fun.

We showed a trailer that Craig shot two weeks ago (and I edited in the week before ReelFast). And then announced our crazy scheme. When we announced the feature auction the room went crazy — a huge cheer. You could BUY Executive Producer Credit on our film. We'd clearly captured something.

Once we were done I was handed a number of beers (No wonder I fell asleep in mid-sentence — sorry Eden, I love you.) and finally got to relax.

I lost track of the number of people I chatted with over the next 90 minutes, but there was a lot of excitement in the room. A lot of sentiment along the lines of “Wow. What a great idea! How come on one has ever done that before?”

Today, we've had a number of media interview requests; the interest in our product placement has begun — we've had to answer questions of bidders already — and in the time I've been writing this post, the bids on our Executive Producer Credit has gone up by 10 bids. The money is still pretty low, but we're already getting to the point of breaking even on the launch — which at least means we're not losing anything.

I'm curious if this is just the beginning… when word starts to spread…

Of course that was always part of the plan.
— Kennedy