14 December, 2007

Cult Times - David Nykl Interview

Kennedy Goodkey - Writer Dude

The latest special issue of 'Cult Times' - a special issue featuring Stragate - includes an interview with "Beast of Bottomless Lake" star, David Nykl. David mostly discusses Stargate, of course, but there are also a few paragraphs and production stills about "Beast...."

Here's a link to an excerpt... which doesn't include the "Beast..." discussion.

In other "Beast..." news at my annual building Christmas party, Craig was able to bring a handful of scenes to show the eager main-ensemble. We all ignored the rest of the shennanigans for a half-hour and sequestered ourselves in my bedroom and watched a few rough cuts that we are preparing for Telefilm.

It was a bit of a tease, the final edit is still a long way off, but everyone was able to pat each other on the back. David declared himself "cautiously optomistic." I think everyone was kind of relieved to see that what we had done was actually working, even in a rough form.

Meanwhile we grind through out Telefilm application... which is far more work than we could have imagined.

19 November, 2007

The REAL Production Diary

Kennedy Goodkey - Writer Dude

The NOV/DEC issue of ReelWest is out, which means that the issue featuring "Beast..." has been displaced on the shelves... which means it's now kosher for me to post this.

When the original ReelWest production diary was requested there was a miscommunication about length and what I wrote was fully three times the length they wanted... so the published version was heavily edited - and for those of you who read it some of that was very apparent.
Anyhow, the time has come to post the full length version. Enjoy.

- K

"BEAST OF BOTTOMLESS LAKE" - Production Diary by Kennedy Goodkey

August 1997
About a week in from touring a show in the Okanagan, Keith comes to me with an idea. It’s a film he’s calling The Dweller. It’s pretty high-concept. The ‘lost footage’ of a documentary of a group of hapless scientists trying to prove the existence of the Ogopogo, which has been re-cut and packaged as if it’s a horror film. I’m not sure if that last part works, but he grew up in Kelowna and knows his Ogopogo lore. He also has a funny idea for a scene about the anti-climatic demise of their proto-type equipment. It’s worth more thought and discussion.

August 1998
Again on tour with Keith in the Okanagan. The Ogopogo film idea resurfaced, this time with a new name that plays the concept harder – Nightmare Beast of Blood Lake: A Scientific Overview. We spend a lot of our spare time brainstorming ideas and running around to the places catalogued in Arlene Gaal’s books where it has been seen. No doubt Rattlesnake Island would be central to the story.

January 1999
Mark Leiren-Young hired both Keith and I for his Year in Revue show at the Waterfront Theatre. Keith and I have honed the idea a bit. We’ve dropped the ‘documentary packaged as a horror’ concept as being too convoluted a gag. Any joke you have to explain isn’t very funny. In it’s place we’ve decided to take aim at academia. Keith graduated from the UVic Theatre Department a few years before I arrived there. We have similar uncharitable thoughts about all the same professors – it’s a good starting place. For now we’re referring to it as The Ogopogo Project – definitely a place-holder. Mark, a long-time Ogopogo fan in his own right, loves the idea and is encouraging us onward.

August 2000
Keith and I have been meeting weekly on Ogopogo we think we’ve got the essential story. I’ve been spending my weekends through the summer working on Meghan Ciana’s Sons of Cohen – which I also wrote – it’s enlightening. I’m learning a lot about how to shoot cheaply and how to capitalize the most on the least of resources – sadly Meg is also learning these lessons in the hardest of ways. In any case it’s making it clear to Keith and I that we could actually make this thing ourselves – but we aren’t sure either of us is ready to direct.

October 9, 2000
Sons of Cohen wraps on my birthday. A number of the cast and crew join me for shenanigans, though it’s not our official wrap party. Craig March and I get in a conversation about ‘what is next.’ Ogopogo comes up. Craig ended up playing the role that I had written with Keith in mind and though we only had about four days on set together we managed to bond a bit through the film and weekly pick-up hockey games.

November 2000
As it turns out, Craig and Keith have wanted to work together for quite some time. Craig is feeling like he is ready to take another go behind the camera. I’ve heard a lot about his first effort Jerry’s Day through mutual friends. In our first meeting together, Craig floats the idea of having an extra layer to the documentary wherein the fictional film-maker is shooting a lot of footage clandestinely with hidden spy-cameras. It certainly bears more discussion.
By this point we have a very detailed treatment. We assemble some actors and cast ourselves in a few roles – Keith as the arrogantly book-smart but impractical team leader, Paul; Craig as the porn-director turned documentarian, Ernie; and myself as the brooding and useless physicist, Stewart – and do a few days of workshopping.
It has also occurred to me that the story we are telling is very much analogous to Moby Dick. From here on out I’m going to push it further in that direction whenever I can justify it.

January 2001
A friend who knows a friend who knows a friend with money that he wants to invest in film got wind of what we are now calling ‘Pogo. We know we’re still a long way from really looking legit, no matter how well intentioned, so we again turn to Mark Leiren-Young for some advice and guidance. Mark gives us a serious make-over from the ‘script’ down. In the first place it’s still not really a script so much as an over-written treatment. He shoots holes in all sorts of specious plot-logic and has us cut scenes and characters with furious baby-killing abandon. Of course he is right – the treatment, which is starting to look like a script – is far tighter as a result. He also says about four sentences which turn into the final scene we never realized was missing.
Mark grooms us and the project for presentation to the potential producer. He also wakes us up to the hard facts about film-money and first-timers. It’s a long-shot. But our eyes are wide open.

February 2001
We present The Beast via our contacts. No overtures for a face to face meeting are ever accepted.

April 2001
With Mark’s encouragement we’ve kept tinkering and developing our package. Made some inquiries towards other potential avenues of production. We submit The Beast – re-written for Vancouver Island’s “Cadborosaurus” – to the CHUM/Bravo! Drama Initiative. I submit another script of my own. My other script is short-listed, but The Beast falls flat.

June 24th 2001
I find myself watching a very entertaining documentary on television about Sasquatch hunters. Lots of fertile soil for the seeds of inspiration. I call Keith and leave a message telling him that the doc is scheduled to be shown again later in the evening. A half-hour later the phone rings. It’s Janet, Keith’s wife. There has been an accident. Keith is gone.

August 2001
The number of people who stood-up to be counted amongst Keith’s friends was astounding. You would have thought God died. And a lot of people connected in the industry. Mark has again been very helpful in guiding us through the wave of “Let’s make this film for Keith” energy. It’s been very encouraging, but as well meaning as it is, it’s not focused and we ourselves are in no way ready to forge through.

July 8th 2005
Before leaving my girlfriend’s this morning I read a newspaper article about the ridiculous stuff that people sell on eBay and get spectacular prices for. It’s actually kind of infuriating. ‘People! Use your powers for good, not evil!’ On the bike-ride home I got to thinking about what would be a righteous thing to sell on eBay when it came to me – credits in a film. The Ogopogo film – whatever it’s called – has been sitting on the back-burner for years. When I walked in the door I picked up the phone and called Craig. “I know how we might fund this damned thing. But we have to act fast or else someone else will do it.”

August 17th 2005
After a few harrowing weeks, we hosted a launch party last night. We formed a company – Provost Pictures, named after Keith -, had a website made, produced a brief teaser to illustrate the feel of the movie, picked a Spring 2006 production date, set-up three separate auctions and presented it all to a packed house at the Media Club Lounge. When we announced the actual auction there was literally a roar of excitement – surprised the living hell out of me. Today we’ve had a number of interview requests so hopefully this thing will take off.

August 26th 2005
The auctions closed today. Grand total – about eight hundred dollars. Hardly a budget. But we got some good attention in the media and a lot of people we know are excited that we’re back on task on this thing… we’ve got a placeholder name for it now: The Beast of Bottomless Lake. We needed to call it something for the launch, so we decided to harken back a bit to the horror-film title just for the time being. I’m sure we’ll come up with a better title – something that says ‘comedy’ more than ‘B-horror.’

September 2005
I walked into a restaurant and a guy at a nearby table declared “Hey! You’re one of those eBay guys.” Turns out he works for Telefilm and we are on the radar. He told me to call him when we were ready.

January 2006
We need someone who better understands the business of film than we do to be a co-producer. Marilyn Thomas is looking for her first feature. She’s got good credentials and she likes the project. Despite some amusing over-eagerness on Craig’s part she has said ‘yes’ and has come on board. Now we need to fill some other personnel holes.

February 2006
We interviewed First A.D.s. Three of the first four applicants were ten minutes late apiece. Not an auspicious start. Luckily one stood out from the pack, Manjit. We had her start on the breakdown right away. We’ve also interviewed D.P.s – much better pickings. If anything the biggest problem is the preponderance of style. Lots of fledgling D.P.s out there dead-set on standing out with snazzy to spare – too soon out of film-school. If we wanted to make a Guy Ritchie film, we could out Guy Ritchie Guy Ritchie. Fortunately we won’t have to. Shari Bailey was the only interviewee who was able to sit down and tell us how our film looked – the act of which was impressive in it’s own right, the fact that she nailed it sealed the deal. She’s got a great egoless feeling style. She’s going to be a star, I’m glad we lucked out and get to use her before she is.

March 2006
I have to wonder how many indie films at our level have publicists this early in the game? There are only really only two answers; 1) Those that don’t are fools; 2) It’s rare and thus would be a big leg-up on the competition. It occured to me that Rebecca Coleman must be into the swing of being a mother by now, and it would be a good chance for us to re-establish our friendship. She’s never done publicity for a film before, but she’s game. I know she’s good – and ‘good people’ so we’re well taken care of there.

May 11th 2006
Colour me stunned. Craig and I are off to the Okanagan once the weekend is over to meet with the Okanagan Film Commission, do some scouting and other business. Rebecca sent the Okanagan media a release to let them know we’d be in town in case they wanted to get an interview in the can for later. It seems that the release ended up on the news wire and god knows why, but it triggered some imaginations. And by ‘some’ I mean a LOT. I woke up this morning to a 7am call from the Globe and Mail. After forty five minutes of chatting with them there were already two messages in voice mail for other interviews. When Craig arrived at 11 he got on his cell and started doing interviews as well. It didn’t stop until after 5 o’clock. We were supposed to be preparing information packages for the Kelowna C.O.C.

May 12th 2006
Well, every article or news clip about the film is using our working title The Beast of Bottomless Lake. I guess it’s not our working title anymore.

May 18th 2006
I admit that it would have been nice to be leaving the Okanagan with the promise of more money, but apart from that the trip was an unqualified success. We arrived in Kelowna talking about shooting a week or so in the Okanagan. The Commission showed us how we could shoot the entire thing there. Granted, that is their job. At the end of our first whirlwind day we were standing across the lake from the Manteo Resort (one of the many places we scouted) and a Rainbow formed, shining down on the Manteo. It’s kind of comforting to think that perhaps Keith was sending us a message. The upside of all that press has been that the Centre for Arts and Technology in the Okanagan contacted us offering some assistance. We had a good meeting with their rep, Bob Sterling. We also received a well timed email from a local casting director, Siobhan Shaw, who expressed interest. We got the email an hour or so before our one and only evening off began, so we met her for drinks on a patio on the lake. She’s full of enthusiasm – perhaps too much! – but we’re going to see what comes of it. We stayed with Keith’s parents in Westbank. They were awesome.

June 16th 2006
Damn it, damn it, damn it! Marilyn went to Banff and was given a job offer that she can hardly be expected to turn down – certainly not over our ‘working for love & pizza’-level project. While this in itself is a problem, Craig is not only out of the country with Elaine, he is going to be out of all contact for the next ten days. I’m sure he could arrange contact if he had any idea that there was an issue of this depth – but even so, what could he do? Either way, it’s all on me. I need to have a new producer in place before Craig gets back here or there’s no way we are going to be shooting in September as planned.

June 19th 2006
It’s been whirlwind. I’m variously talking with about 12 different people. Actually started to lose track of what stage I was at in discussion with whom. So I sat down and made a list. When I got to the last name I wrote it down and started trying to figure out who he was and what we’d discussed. As I was doing that, the phone rang. It was him. He told me he was on his way over to discuss the project. Okay. That will clarify it for me.

June 20th 2006
David Jevons in his name. We went for dinner, and I talked to him about the possibility of producing for us. Soon he was telling me about his plans to make a film about the Ogopogo… and it all came rushing back. He WASN’T one of the people who I’d been talking to about producing at all! He had called me a day or two before Marilyn quit. I was watching the Stanley Cup finals, and only half paid attention. He had gone to the Okanagan Film Commission to discuss a film he wanted to make about the Ogopogo and they informed him that we had him scooped. Through our discussion we agreed that the options were: to go on working on separate and competing projects, potentially getting in each other’s way; one of us could simply quit – and it sure wasn’t about to be us; or we could combine efforts. I sent him off with a copy of the script. We’ll talk in a few days.

June 22nd 2006
David loved the script. We’ve all but committed to him stepping in as our new producer. He’s moving forward under the assumption that a meeting with Craig (when he returns) goes well. He’ll join us for the auditions the next week, and then head for the Okanagan to move things along there.

June 27th 2006
It is a done deal. David is our new producer.

June 30th 2006
Damn it all. Manjit has cash-flow problems. She can’t commit to the shoot. We are down a 1st A.D. It's understandable, people do have to pay the bills. Oh, to be able to pay people.

July 1st 2006
I ran into a ‘friend’ of mine at a barbecue tonight. She’s working as an Office P.A. for one of the successful local companies. Told her about the film and how we’re consciously setting out to do a bunch of things that would make the list of things an independent film should avoid – a main ensemble of seven, total cast of nearly forty, shooting on a various boats, locations spread through five cities, working with kids and animals. She scoffed and informed me that we are idiots and that it’s all impossible. Gee, thanks for your kind support.

July 3rd 2006
Auditions were a lot of fun. Justine is already set to play ‘Sondra’ so she came out and was our reader. There were some great discoveries in the auditions. Going in, Craig and I were both fairly certain that we knew who we were going to cast as Paul’s parents, Clive and Anna, but for both roles our favourites going in didn’t have great reads and in each case there was someone who stood head and shoulders above the rest. We’ve offered Clive to Gordon May and Anna to Christina Jastrzembska. There was some discussion about giving the roles to our original favourites, but the question came up ‘then why did we even have auditions?’ A great surprise in the role of the David Suzuki-esque ‘Tony Hashimoto’ – Aki Nagai did an average read in broken English, but when Craig asked him to do it in his native Japanese he was magic. Looks like we’ll be sub-titling that role.
The really exciting thing was casting the lead role of ‘Paul’ – Keith’s role. Craig and I had not spoken about it at all. Avoided it even. Sub-consciously we were both scared of giving that role away to someone who wasn’t Keith – but it’s not like there was an option if we were to move forward. First person on day one Maureen Webb brought in David Nykl. I had seen him in a stage-play a few years back. I knew that he’d been doing well for himself on Stargate Atlantis, but had never seen him on screen. He owned the role. It was nothing like what Keith would have done. It was exactly what we needed – a strong audition that shook us out of our pre-conceptions. Casting that role could have been a painful experience, but David saved us from that. We dutifully considered the other guys who came in, but David made it easy on us.

July 7th 2006
Craig and Shari and I drove up to the Okanagan to do a second round of scouting with David Jevons (now ‘DJ’ to avoid confusion with David Nykl.) Siobhan did a bunch of advance scouting of possible beachfront and forest. One of her finds – Bertam Park could be as many as four different locations for us. It was hit by the big forest fire in 2003 and while recovering has an amazing desolate look to the ravaged portions – will be a great stand in for Rattlesnake Island. The real Rattlesnake Island is too hard to get a crew to on our budget.

July 10th 2006
Craig has been cast in a substantial role in ‘The Englishman’s Boy.’ He’s going to be away in Saskatchewan for three of the last 8 weeks before we shoot in the fall. Luckily he’ll have a lot of downtime from shooting while there.

July 17th 2006
Craig was back in the Okanagan this weekend doing a casting session with Siobhan at CATO, the Centre for Arts and Technology. He stayed at the Jevons’ ranch in Penticton. Looks like the ranch will be production central while we are up there. I’ve reviewed the tapes and we’ve made our choices for the day players we’ll cast from the Okanagan.

August 4th 2006
Had a first read-through with the main ensemble and other Vancouver based cast this evening. Lots of fun. Good spirits.

August 11th 2006
DJ got word from the Union today. They declined our application for a waiver. No indication why. We meet all the stated requirements. Most frustratingly they gave us notification at 4:30, just as the office closes for the weekend, so we now have to stew in our own juices ‘til Monday. On top of that, Craig is getting on the plane to Saskatchewan this evening.

August 12th 2006
I know there is a lot of support in the acting community for this project – both because of Keith and in favour of the D.I.Y. spirit of it. I wonder how many signatures we can have in their inbox by Monday morning.

August 14th 2006
Over three hundred names. The vast majority of them UBCP members, many with additional personal notes attached declaring how important it is to support upstart indigenous production, so that perhaps someday our own industry might be as strong as the U.S. service provision that makes up most of the industry here. Sadly, the powers that be aren’t in the office today. That’s rather irritating. Not only do they wait to inform us just before the office closes, but they aren’t in the office on Monday!

August 15th 2006
Wow. Angry Union staff. Still not sure why we’ve been turned down. But we’ve been told that ‘the petition’ has ruined our chances of ever getting approval. Seems kind of like a childish reaction to me. We’ve also been told that ‘three hundred names means nothing’ and that it’s ‘just a drop in the bucket.’ I’m sure the Union members would be really happy to know that their individual opinions mean nothing to the staff – to say nothing of the contradiction that ‘three hundred names means nothing’ but it is enough to scuttle our chances of ever getting approval.

August 16th 2006
Now we’ve been told that we aren’t allowed to have Union members travel on a waiver agreement. I’m sure there’s some logic to this, but it would be nice if appeared in any of the literature about the waiver.
On the plus side, we’ve now been told that they are looking into possibilities which could work for us. Clock is ticking.

August 25th 2006
Next Monday is our self-imposed drop-dead date on a solution from the Union, but today we admitted that even that is too late. I’ll spend the weekend making calls to cast and crew telling them they have their September and October free. Shit.

August 29th 2006
The Union got back to us today with a specialized agreement. The “Membership Initiated Agreement.” I don’t know how realistic it is, but at least if we adhere to the letter, we can be confident we’ll get a ‘go ahead.’ But it’s too little, too late for now. Even the paperwork to get this together, let alone everything else we’ve put-off waiting for this news, could not be done in time for our scheduled shoot dates – even if today had been a reasonable drop-dead date.

December 11th 2006
Met with the Union staff today. Cooler heads have prevailed. We went through the M.I.P. and got questions answered, and expressed concerns about some of the realities within. Looks like we’ll be able to work it out by May.
In related news, since they turned us down, the Union has cancelled the waiver program entirely except for student productions – not their most popular move ever.

January 2007
Met with DJ to establish a preliminary ‘to do’ list as we get this thing back on the tracks for the Spring. May seems so soon all of a sudden. I have to admit, if we can’t get this done this time around, I’m finished. I have to move on to something new.

April 4th 2007
A new round of auditions. The change of dates caused us to lose several ensemble members. We have to re-cast the roles of ‘Leslie,’ ‘Sondra,’ and ‘Neville.’ If there was ever a good argument for watching the tape, we witnessed it today. For Leslie, Craig and I were both impressed in the room by two of the women we saw. There were a few other solid auditions for the part, but those two struck us as stand outs and we couldn’t agree on which would suit us best. So we watched the tape – and quickly discovered that one of the other women who we weren’t even discussing impressed us both as much or better than the other two. To top it all off, she’s an old friend. Hooray, Bronwen Smith will be our Lesley! Roger Haskett, who played Paul in the teaser we shot nearly two years ago was not available to audition last summer, but came out this round and did a hilariously effluvious Neville. For Sondra, Leanne Jijian Hume was the first woman we saw. When she left, we knew that we had our Sondra. No other potential Sondras really gave us what we needed. We even considered bringing in one more hand-picked possibility on a subsequent day so that we could feel like we were making a real choice, but in the end we agreed Leanne won the part, it was hers.

April 9th 2007
Spent another weekend in the Okanagan. One more round of auditions, some tech-scouting, meeting with potential crew-members in the Okanagan… but more exciting, we shot three of our simplest scenes. It gave us a chance to work through some protocol and get used to the P2 dataflow with a reduced version of our crew. We’re still working without a 1st A.D. Caroline Battista is stepping in for Vancouver, but in the Okanagan we have yet to nail someone down.
We shot our first scene in the Jevons’ Ranch garage, with my friend Gabe Newman from University coming in on short notice to play our fisherman, Buck, in the ‘Dramatic Recreation’ of his encounter with the Ogopogo. That was Friday night. Saturday was kind of rough as Craig and I stayed awake all of the previous night excited and giggling that we’d shot our first scene.
The Ranch is going to be an awesome place to stay.

April 27th 2007
Craig and I went and hand-submitted our M.I.P. application to the Union today. It has been a big headache, to be honest. Working out the detail of the partner contract so that it conformed with the Union’s requirements, but who am I kidding? That’s the game. It’s not like jumping through bureaucratic hoops isn’t going to be a part of running a film company in the future.

May 2nd 2007
Scott John, one of my oldest friends in the world has come on as an investor and is also taking care of a number of Vancouver production details. He arranged for Craig and I to come and look at the Vancouver Mail Processing Plant downtown as an option for a few remaining locations. Craig and I were skeptical, but damn if Scott wasn’t right. Most of our University scenes can be shot at the VMPP, as well as the police station and one of our faux ‘expert interviews.’

May 5th 2007
Day One of two days of rehearsal. Our second ‘first read-through.’ Final costume meetings. I think we’ve got a good group here. We’ll have a lot of fun. I need to start turning my head from producing to performing. Only days until we’re all in the Okanagan and my ‘to do’ list is, thankfully, getting very short.

May 6th 2007
Really feel like I’m fumbling around. I’ve had this script, this character, in front of me for years – why do I suddenly feel at such a loss?
While Craig and I were in rehearsal DJ managed to answer most of our remaining equipment issues… which was a pleasant relief. Coming out of the studio into the rain knowing that I could actually go home and get most of a night’s sleep to head into the last week of prep, rather than worry about where were getting more P2s and within our meager budget.

May 7th 2007
DJ left for the Okanagan today with the advance team. Most of what I have left to do here is baby-sit the office and answer the phone. I have to wrap up details with the VMPP, supervise the picking up of equipment and transport vehicles, and the assignment of remaining cast and crew to vehicles, but the latter is largely being organized by my sister, Tara.

May 9th 2007
Craig and Rob leave this evening. DJ called and let me know that he and Kevin had solved the issue of the puppet Ogopogo. He assured me weeks ago that they could handle it cheaply once up there. I’m glad it’s taken care of, the options we were looking at here just weren’t practical in our budget. Jeremy will be coming by the office tonight to do the build of the Ness-sled, out last remaining (and arguably most important) prop.

May 10th 2007
Okay, this is getting excruciating. My job has really boiled down to waiting for people dropping by to pick stuff up or drop stuff off. Trish will drop off the remainder of the properties and the main picture vehicle, all-dressed, tomorrow. Jeremy is finishing up the Ness-sled this afternoon. I’ve done the tiniest bit of running around picking up last-minute forgotten gee-gaws. I’ve even made sure all my personal stuff is packed – and I’ve still got over a day of sitting around before I’m scheduled to leave. I swear I’ll be choked if something surfaces that I could have been doing now – but most of the action is in the Okanagan now. I totally feel like a spare part.

May 11th 2007
Got a call from Brie, who is coming up from Oregon to work as a PA. She got turned back at the border. Great, down a set of hands on what was already a very under-manned crew. On the plus side, Craig sent word today that he has met with a guy in the Okanagan, Ian, who can be our 1st A.D. Thank god, that was getting dire. CATO has also donated use of their jib and dolly as they are between semesters. We’d been planning on using them on a spot basis, but now we’ll have them on hand full-time in case inspiration strikes. Gordon, who is playing Clive, arrives from Vancouver Island tonight. He has totally bought-in and drank the cool-aid. He’s coming to the Okanagan for the duration and doing whatever we need him to do, in addition to driving our main equipment trailer with his Volvo.
It occurred to me at about 4pm that we haven’t got official word from UBCP! I called immediately to get an out of office reply. This falls into the ‘you’ve got to be kidding me’ category. I called a few alternate numbers at the Union and left desperate messages. About ten minutes later I got a call. Turns out that we’d been approved, but no-one was informed before the appropriate messenger had gone on holidays.

May 12th 2007
Picked up the LX and Grip package with Gordon and Shari this morning – it was a little early coming, Gordon and I hit it off really well and talked late into the night. After we were loaded up, Shari hit the road directly. Gordon and I went back to the office to wait for the confirmations that everyone else was on the road who was supposed to be, with the passengers they were supposed to have. Gordon and I were the last two vehicles on the road – he with the equipment trailer, me in the picture vehicle – ‘The Juanabees van.’ He picked up David Nykl, and I was traveling alone. I had been meant to be traveling with Brie, but with no Brie… It actually worked out quite well. I caught up and passed Gordon and David twenty minutes before the Coquihalla toll-gate. Shortly thereafter I started talking to Keith – or to myself, depending on your perspective. It wouldn’t have happened with Brie there. In minutes I was crying like I haven’t in years, and I cried most of the way to Merritt. I guess I needed it. Worked out a lot of my bottled up tension and emotion.

May 13th 2007
Woke up early and had breakfast with Leanne on the porch watching the Ranch’s horses, and discussing the relationship between our characters. We were soon joined by David and Gordon.
After breakfast I did some running around with Gordon, up to Kelowna and back – lots more chat-time. He’s a great guy. We’re a bit ‘Mutt and Jeff.’ I think we got really lucky with him in our camp.
We barely made it back to the ranch for the third ‘First Read-through,’ this time with the Okanagan cast. It was great to see and hear all these people. It was great that so many showed up on Mother’s Day.
The Ranch is packed to the rafters with people. Kevin is sleeping behind a couch. I’m sleeping in the Juanabees van. We are hardly the only ones sleeping in odd places.

May 14th 2007
Bertram Park. The first shot of the film – not counting the advance shoot from May – is of Young Paul as a child with his home-made Ogopogo. It’s a great celebratory feel on the beach.
The day is chaos. Despite our efforts to get through some of the first-day teamwork issues by shooting some in May, things do not go smoothly at all. Most of the day is at the end of the dock. I spend most of my day on shore dealing with everything I can think of in order to help things go more easily… I have no idea if anything I did really had an appreciable impact, but by the end of the day I am totally exhausted.
It’s also the day that my niece, Kaz, is on-set. She demands a lot of my attention despite having a chat in advance about it.
Naturally we over-shoot like crazy on the first day. We go into the sixteenth hour. At least it’s behind us. We learn a lot.
Ian, while a good guy, and far from useless is not really ready to be a 1st A.D.
Our rotating Okanagan props-masters are not going to work – from here out it’s my on-set job (not counting acting, still doing scattered Producer things, and making decisions as the writer). It’s more to take on, but it’s what makes most sense, I was the one who worked most closely with Trish and Jeremy, no one in the Okanagan knows as much about the props as I do.

May 15th 2007
Media Day. Back at Bertram Park. Several Okanagan media outlets visit the set during our lunch break. We’re shooting at the far end of the park today. This is where the fire did the most damage. There is no cover, and our tents are small. Three crew members go down to sun exposure, including Shari. It’s a second brutal day in a row. I miss the worst of it as I’m not in the scene in question and have plenty of other things to get dome. Finally in the afternoon I get in front of the camera for my first scene. Having missed the morning, I feel like the rest of the ensemble is already ahead of me in camaraderie and character – luckily I don’t have much to do but stand and listen.
Before bed the camera crew informs me that they can’t read any of the data on the hard-drive. We may have lost two very tough days of footage. I ask them to keep the news from Craig until we know for sure, he doesn’t need the extra stress if it’s un-necessary.

May 16th 2007
Manteo Resort. Finally a day where I’m more of an actor than anything else, but it starts with a mad scramble to get everything dressed in time to be shot. I think I ran for nearly three hours straight. My knees were screaming in agony, but my head was shouting ‘this is awesome!’
Keith’s parents Clare and Lainie visited us on set today. Rebecca is also here – not only for media day yesterday, but we’ve cast her as a bitchy hotel clerk. She does a bang-up job.
Mid-day it comes to my attention that despite this being a much easier day than either of the previous two that there is mutiny afoot amongst the core crew. I feel like an idiot for being so out of touch with it thus far, but it’s clear to me that I have to get to work. Gradually over the day I speak to each of the individuals involved and pin-point what their issues are. For the most part I discover that the mood was exaggerated and nowhere near as universal as I was led to believe, but there are a few people who genuinely do need some concerns dealt with. I promise to get to work on those concerns if they can promise to forge onwards long enough for me to do so in the minute holes I have in my schedule.
After a relatively short day, we get back to the ranch to news that Russell, who was to arrive from Vancouver tomorrow has had a personal emergency. He cannot come. He has taken the initative to contact Alex Zahara who he knows we had also considered for the role. Alex is ready to be meet us in Kelowna by Noon tomorrow for his first scene. Not only is it pretty much already done for us, but we know Alex will be great. It’s a no brainer.
Time for Craig and I to chat.
I let him know that the footage is gone from Day One and almost all of Day Two. He knew it was in the air. We put a plan together to deal with the problem. There’s a chance someone can rescue the data, so before we start arranging a re-shoot, we’ll ship the drive to Vancouver for a quick assessment.

May 17th 2007
Shelter Bay Marina. A very fast day. And very fun.
Alex and I have a scene together. My first scene where I actually say something! Unfortunately it includes a line of techno-babble that I can only blame myself for writing in the first place. I can barely get it past my lips.
We also shoot the speed-boat scene. Very fun. Very fast. Lots of delighted hollering on my part. I didn’t have to act to pretend to be having an awesome time.
The mood on set raises in all ways. Everyone seems to be having a much better time.
Upon getting back to the Ranch we discover that ‘Captain Bob’ has booked a cruise Monday afternoon on the “Princess” the boat whose use we’ve had donated to the film. It is his livelihood, but damn! It echoes a situation that occurs late in the film – what is it about the process of making a movie being an analogue of the film itself? Great, we’re making ‘Moby Dick’ – which one of us is Ahab? Recall the whale drags him down to a watery death.

May 18th 2007
Today we shot in downtown Kelowna. The Sails public art sculpture is one of the few genuine and specific Okanagan landmarks in the film. I’m not in the scene, so I go and have ‘second breakfast’ with Bronwen and Roger. It’s a good chat, I’m glad to find out that I’m not the only one who is still trying to figure out where their character lives.
In the afternoon we shoot traveling shots of the Juanabees van on the Okanagan Lake Bridge. It’s rush hour on a holiday weekend. I’m driving. It’s got to be the most un-cool filming I’ve ever done in my life. Stressful as all hell, and it seems we are pissing off the entire population of the West bank as they try to get home.
Oddly, when we finish the scene and I park the van, standing on the curb with her jaw at her knees is an ex-girlfriend I haven’t heard from in years. I hardly have time to say ‘hi’ – luckily we have a high-school reunion approaching next month.
We end the day with a University scene in a classroom at CATO. I have more to do this time, but again it’s still pretty much secondary to the scene. We leave most of our stuff there as there is underground locked parking and we’ll be back tomorrow to shoot in the underground lot.

May 19th 2007
The underground was great fun. A goofy set of scenes. It was also nice to have so much room, yet not be moving around or worrying about interruptions by the public. Conveniently it was also the first day that we haven’t been shooting under the sky, and it chose today to rain. A good light mood around the ranch tonight. Leanne, Craig, Shari and Roger all have loved ones who have come to visit for the holiday weekend. Evenings at the ranch have always been a good time for unwinding – some beer, some wine. The heads gathering at the end of the fence. Not to mention Janet and Garner. They show up every night at the ranch – often before we do, but no on our shorter days – and have a full and varied meal made for us in reasonably short order. I don’t know if they’re gifted cooks or if it just seems that way ‘cause we’re always hungry and thankful that it’s not us doing the prep. Life at the Ranch has become a very special part of the shoot, despite the fact that we’re practically sleeping in each other’s suitcases. Tonight we have a bit more room to relax. Tomorrow is a ‘day off.’

May 20th 2007
My ‘Day Off’ is spent finishing the assembly of the Ness-sled support equipment. Pretty much takes me all day. I’m sure I could have recruited some help, but I was happy to just plug away at it myself. It gave me time to reflect on what I’m doing in front of the camera. It has occurred to me that I’m in a different film from everyone else. The only day that is likely to have suffered in any way from that is yesterday, but even by then I was bringing my level up from what had been in my head. Funny how six other ensemble members playing at a different pitch from what I’ve envisioned for years can out of necessity change what I’m doing. There’s definitely a happy medium between what I imagined and where they are that ‘Stewart’ can live in. I’m not used to being the straight man – definitely some adjustment to be made.
We’ve got word that there is a chance that we can get the data off the original hard drive (we have bought another one) but it hadn’t been fully backed up when it crashed and we’re going to have to go back to Bertram Park. We have to re-live the two most hellish days we’ve had. Great. At least we don’t have to re-shoot everything, and we’ve got past the ‘too precious’ and over-shooting stages. We should be able to get it all in one day.

May 21st 2007
An early start so we can be done before the cruise. We shoot the aftermath of the Ness-sled disaster. Finally I have a scene with some meat to it. We also shoot a few small scenes and get some establishing footage of the boat. It’s a light day, which is good because we really need to learn how to work together in the confined domain of the boat, but it comes fairly quickly.
Even with a long lunch we are done so far in advance that it seems we can shoot something that wasn’t on the schedule. Alex, David and My big scene in the wheelhouse was scheduled for next week, but we have all we need. The three of us sit down with the script, plough through our lines and figure out how the scene lives on the set. It feels great. We finish the day one scene up, I feel like I’m finally getting to act in this film and the tone on set has clearly turned around for the better.

May 22nd 2007
Back at Bertram Park.
We don’t know where we’ll shoot it, but the ‘press conference’ scene was going to be shot at the Summerland Yacht Club today. We’ll get it in Vancouver… somewhere.
Re-shooting the park goes well. We finish mid-afternoon. It certainly helps that Ian is starting to come into his own by now. He still needs good support to keep the set running, but it’s no longer the clown-show it was on Day One.
David and Gordon’s scene on the end of the dock is going to be really touching.

May 23rd 2007
Summerland Yacht Club. Back on the boat. It is crazy windy. But it works. Today is one of two days of shooting the Ness-sled’s ignominious maiden voyage. The wind is blowing David’s already out of control hair all over the place. It makes the build up seem all epically dramatic – should work great.
Back at the ranch (it was only a matter of time before I gave in to that phrase) Shari sits down with me and gives me some bad news. She’s been called to a paid gig in New York. We knew this could happen. She’ll shoot tomorrow, but then she’s got to go. She’s also got four days booked when we’re back in Vancouver. We need to find someone to cover for her back home. For here it looks like it’s going to be Patrick Henry’s job. He’s been operating our ‘A’ cam and working most closely with her. He’ll also have additional support from Rob whose been op-ing ‘B’ cam as the videographer who appears in the film, documenting the expedition. No doubt now that we’re feeling like more of a ‘well-oiled machine’ the rest of the crew will be good support to Pat too.

May 24th 2007
A blistering day. We’re shooting mostly in the parking lot and on the wharf today. Pretty uneventful really. We finish early, but I have to go back a few hours later to dress the boat for tomorrow’s wedding scene. Luckily I have some assistants arriving. When I get back to the Ranch from dressing the boat I head up the hill with Bronwen, Leanne and David to Bronwen’s brother in-law’s place to listen to their band practice. On our way there, a run-away horse trots past us on the road… and then turns into the ranch! We run back only to see the aftermath of the panic which occurred on the porch – the horse ran right through where everyone was having dinner!
We piled into vehicles and went off looking for a thrown rider. We found her pretty soon. She was fine. We directed her to her horse and made our way up to the rehearsal. It was a surreal, but excellent evening.

May 25th 2007
We lost the Ness-sled. Too many cooks in the kitchen. In an ironically too-much-like-the-film manner we lost the Ness-sled. I know I’ll be telling this tale until the day I die.
The morning was spent shooting the Ness-sled going into the water. We got what we absolutely needed, but then we went to shoot the underwater shot of the same. There were too many different versions of what the plan was, and a perfect storm of miscommunication hit. Everyone managed to be acting upon the one element of their own version of what was going on to ensure disaster. It’s a long story to get into in detail, but suffice to say that we were in WAY deeper water than planned, the sled was not only not properly tethered – it wasn’t tethered at all.
When it dawned on me that the Ness-sled was gone forever, I looked up and there was David with a shit-eating grin on his face. “Well, that was ironic.” I muttered with equal parts amusement and fury. God I hope the EPK team was rolling on that, ‘cause already there are a half-dozen Rashomon-esque versions of what happened. I’d love some clarity.
In the evening we shot the wedding. Possibly our biggest actual scene in the film – the most extras, long, lots of lights and at night. We weren’t able to get out of there until 1am. Luckily there isn’t much left to get tomorrow.

May 26th 2007
A short day for most of us. Bronwen was on a plane to a wedding by mid-afternoon. Most of the rest of us were wrapped. A small team went back to Bertram again for some pick-ups.
Those of us who were wrapped hung out at the ranch. Mostly in silence watching the horses. Every now and then one of us would mutter something like ‘cherish this’ and there would be a mumbled chorus of agreement.
Definitely these two plus weeks in the Okanagan have been a special time. This was supposed to be the hard part of shooting this film… and we’ve made it.
Some teary goodbyes. Siobhan was with us for every day of the shoot. She became so much more than a casting director for us. One of the many who can genuinely say that the film would not have happened without them. And Ted Farkas – god I wish I’d mentioned Ted before now. He was really special to us. He’s a retired accountant who just decided to toss his hat in with this crew of ‘head in the sky’ film-makers. Again he was there every day and did what ever we needed him to do. If I’m not mistaken, he left the set at the end of the day quite abruptly because he was starting to get choked-up and perhaps didn’t us to see him that vulnerable.

May 27th 2007
Leanne and I drove back to Vancouver today. Actually all of the cast is traveling today. There is still a day of shooting in the Okanagan, plus a schwack of clean up, but someone needs to be in Vancouver to get things in place for once everyone returns.

May 28th 2007
Uh oh. I feel a cold coming on. Damned change of climate.

May 30th 2007
I’ve found options for the locations that we need to add to Vancouver – except for a marina and a secluded beach… if it wasn’t for the loss of those first two days, we might have been able to push through and get the scenes for those more easily in the Okanagan. In any case, the rest will get us through the first week, and then we have several things secure for a few days before we need to have the last pieces in place.

June 2nd 2007
Well, the cold hit me like a tonne of bricks. I was of little use for the last two days. But this morning we shot the bar-scene up the street from my place at my local watering hole – Falconetti’s. Leanne’s husband, Bob, then got us into his school as a good alternate place for the ‘press conference.’
On the first take of Paul’s breakdown, David brought a tear to my eyes. A combination of missing Keith and David putting it out of the park – leaving me as the writer feeling guilty that I have done this to this man, this fictional character. I caught a shuddering breath which drew a sharp look from Caroline – a well deserved one, I was much louder than I expected to be.
We finished up the day – it was a long one – at Craig’s agent’s where we shot the Tony Hashimoto scenes. As predicted Aki Nagai was spellbinding.
At the end of the day Shari pulled me aside. She’s shooting tomorrow, but is then off the project permanently. Luckily tomorrow we have Naim Sutherland coming by to check out the set. He was going to step in for the four days Shari was going to be gone, but perhaps we can convince him to stay for the duration.
It was nice to have an experienced 1st A.D. on set too. Caroline is awesome and with all due respect to Ian, who did come a long way, there wasn’t a crew member who didn’t comment upon it.

June 3rd 2007
VMPP. Another day where I get to be nothing more than a crew-member. After all my grousing about not getting to do any meaty acting at the start, today was kind of nice.
Gordon is sleeping on my couch for the Vancouver portion of the shoot. We woke up this morning and hauled the trailer down to the postal plant. Scott met us there and we loaded into the basement.
These are the earliest scenes in the movie we are shooting today.
Scott had his roommate Jill cater the weekend for us. Janet and Garner had us eating well in the Okanagan, but I think Jill is out-doing them. Spectacular.
Janet, Keith’s wife came and played a small role today. That was cool.
Mark Leiren-Young, our original story editor, also joined us for a cameo. But the real gem was Caroline. When we were doing a schedule shuffle a few days back we realized that there had been a miscommunication with our actor playing the University Dean, she wouldn’t be available on the only day we could shoot her. Caroline declared that she wanted to get back into acting. I was amused and laughed. I think she thought I was scoffing and immediately started reading the scene. She was good. And we had little time to look for other solutions, so this made it pleasantly simple. Today she was great, very belittling and funny.

June 4th 2007
Day Two at the VMPP. Gawd! Bertam Park was hot, but holy heck! The classroom we were shooting in most of the day today was outrageously hot. A long day.
The VMPP has been good to us though. It was an exciting place to shoot and we were able to shoot in places which may never be filmed again as the building has been sold and is almost certainly going to be razed.

June 5th 2007
Sizer house. The first of four days in one location. We’ve never been able to settle in like this anywhere before.
Today we shot-out the basement.
The highlight for me was the ‘going to bed’ scene between me and Roger. There were a few things that had to happen in it, but for the most part he and I were allowed to just play. Every take we took it a bit farther, and every time Craig called ‘cut’ the release of laughter was bigger. The final take had a happy accident as in the last moment a pile of previously un-noticed books which must have been being agitated a bit in each take chose that last moment to collapse upon my head. We had to call it done then, there’s no way we’d duplicate that moment. I just hope there’s a take where the fact that everytime I turn away from the camera I’m laughing my guts out isn’t obvious.
Most fun I’ve had in a scene since we shot the speed boat.

June 7th 2007
Our second day of shooting upstairs at the Sizer house. Fairly short day there actually. By mid afternoon we were shooting in the forest, and then breaking before moving on to the beach for a guerilla night shoot.
The campfire beach party scene was a challenge. The first part needed to be at sunset, and the clouds were not co-operating. When we finally got a good break in the clouds we had about 20 minutes before the sun disappeared behind the horizon. Somehow we managed to shoot a four-minute scene about seven times in that window – even with an ill-timed visit by the beach patrol. The second half of the scene was easier to shoot. It was pretty free-form and was shot by campfire light after dark.

June 8th 2007
Our exterior day at Sizer house. I totally screwed up. My costume got set aside last night where I wouldn’t forget it. Well, guess what? I guess I could blame my head – the cold is getting worse. I really can barely think straight, but either way it is still me who blew it.
In Vancouver traffic it’s over a half-hour drive each way. I also didn’t notice until I’d been on set for over an hour. It was scheduled to be a long day already.
Apart from the pressure of trying to get everything done the day went mostly smoothly. One complex jib-shot took a lot of takes to get right.
Gordon again breaking hearts with his wounded Clive, dancing with Christina on the lawn.
With one scene left to shoot we were pretty much running out of light. We could go for it and hope for the best, or we could re-invent the scene and move back inside. Craig and Naim, on Caroline’s recommendation, opted for the latter and concocted a one-er for a three page scene. The shot is now a focus-pulling tour de force… or I imagine it is. I have yet to see the print.

June 13th 2007
Four days off to allow for people’s schedules – we thought that things would be easier once we got to Vancouver, but real life is seriously impinging upon our ability to keep momentum.
Four days has allowed my cold to get a bit better. I think I passed the zenith yesterday – the pressure peaked and eased in one day, but got bad enough in that time that it was loosening teeth on the side where my sinus was worst! Poor Gordon has had to live with my hacking and grousing over my misery.
Four days was barely enough to find a marina in, Craig found one yesterday while I was convalescing. But it’s going to cost us. We can muster the money, but it’s not really in the budget.
Today we shot on Seymour mountain. It was the Juanabees Van’s last day. Up and down the mountain four times in a day. Three different scenes.
Then we splintered. Craig went and shot Neville finding civilization and getting kicked in the shin. The only thing on hand to protect his leg was a rolled up copy of the UBCP agreement. As it was stuffed into his sock Roger quipped “this is the most the Union has protected me in years!”
Meanwhile, David, Fabrice, Rob and I got some second unit footage of the van in transit before we lose it forever. David was like a little kid directing shots. We found some nice stuff – I’m sure the prettiest stuff will prove to be the least appropriate for the film.

June 14th 2007
Janet joined us on set for the last day.
DJ nixed paying for the marina. So Craig found a rock jetty and I re-wrote the scene in the afternoon. As night fell we met and began to invent how we were going to shoot the thing. DJ and Naim went and bought a bunch of 1K flashlights. We shot the entire scene practically, with the team using flashlights to find Paul in the dark. At the beginning of the night I was thinking that we were just shooting this so that we’d have something to edit in and that we’d take another crack at it in reshoots under better circumstances. But by the end of the night I was thinking that we got it. I think there is a great little scene there.
We wrapped around 2am with very little ceremony. I didn’t have the energy to be emotional. I took a brief moment kneeling in the sand to take in the sensation, but that was all I could manage. I don’t think I had another take in me. By the end it was all I could do to croak out my lines. Those four altitude changes yesterday were brutal on my cold. Shooting at midnight at the beach isn’t going to make things any better. I’m sure it’s not going to kill me, but it does appear as though I am Ahab. We may have got the picture, but this film got me too.
I suppose that we managed to finish pretty strongly — I am sick as a dog, but apart from that, strongly – and while there were inevitable issues to deal with along the way, we feel really good about most of what we accomplished in this past month. The fact that things have gone well perhaps makes this less emotionally charged than the uncertainty of the beginning was. Back when we were told that we were idiots and that what we were attempting was impossible.

But there we go. We are done. …shooting.

08 August, 2007

Apropos of Nothing - Stewart's Music

I'm a bit shocked by how long this has taken me to do...

Wait! Back up... context on this wanky indulgence:

Before going away to shoot in the Okanagan I filled up two MP3 players with music. The first, a convenient and (key word!) little iPod Nano. I filled it with a selection of my absolute favourite songs of all time - a nice little audio oasis for when I needed it. Somewhere in the second week I needed to wash some clothes (for the record it was my second laundry of the trip)... when they came out of the dryer - there was my Nano... TOO SMALL TO HAVE NOTICED in the bottom of some cargo shorts pocket. It was nice and clean, it even took a charge again - once, and then died forever. Boo hoo.

The second player was a cheap-o 512mb player which I filled up with somgs that I specially selected as "Stewart's Music." I actually took quite a bit of time in selecting the songs, and there was a lot of criteria - much of which I've forgotten.
I can say this:
I think I nixed any song over four minutes.
I spent no effort in trying to pick songs with lyrical content that had any relation to the film - which doesn't mean there aren't song which could be construed as relating to the film. ("Is She Really Going OUt with Him?" springs to mind among several.) It's pretty inevitable when you consider the number of songs out there that are about unrequited love or disenfranchisement.

It has always struck me as odd that in an otherwise balanced mix (within a certain range) that there are not only FOUR Husker Du songs (The Clash is the only other band with four songs.) two of which are covers, but there are two covers of Husker Du songs played by other bands. I'm not even much of a Husker Du fan!
There are also a number of songs on here which also would have qualified as 'all-time favourite' for inclusion on the other player ("London Calling" for example.) but were disqualified as I already included them on the smaller player.

Musically there's some unity to the songs - it's kind of hard not to see that, but there's also some range. Dust Brothers and The Animals are worlds apart. Dead Can Dance and Anthrax? Not even close. Black Sabbath and Billy Bragg... you get the idea.
When I was feeling like I was lost and out of character I'd often turn to the music for inspiration. Sometimes the feel of the music itself led me somewhere - though that was usually the easiest course and not the most interesting. Other times it was the lyrics, which as I had tired to ignore that when programming the player, was often very random and interesting and often served up the occasional thought that was simultaneously obvious in retrospect and provided more depth than the surface-skimming I'd been stuck with.

In any case, it has been close to two months since we wrapped and I really wish I'd had the time to refresh the music in the player by now... though I haven't. But it is now time. I'm really starting to tire of this mix. But for posterity I'll leave the track listing here, perhaps there's a cool discovery for someone else out there:

(One last disclaimer: Don't ask me to explain the occassionally alphabetical nature - I haven't got a clue why I put it on in that order, or why any given artist's songs are all clumped together (with the inexplicable exception of Bootsauce), not shuffled - I just did it this way, that's all.)

101ers - 5 Star Rock 'n' Roll Petrol
Age of Electric - I Don't Mind
Age of Electric - Remote Control
Alice in Chains - Them Bones
Alice in Chains - Would?
Alien Ant Farm - Smooth Criminal
The Animals - We Gotta Get Out of this Place
Anthrax - I'm the Man
Urge Overkill - Never Known a Girl Like You Before
The Flaming Lips - Buggin'
Art of Dying - Get Through This
The Trashmen - Surfin' Bird
The Ataris - I'll Remember You
Trebel Charger - American Psycho
The Winstons - Amen Brother
Modern English - I Melt With You
XTC - The Mayor of Simpleton
The Violent Femmes - Blister in the Sun
The Violent Femmes - Kiss Off
Tool - Lost Keys
Tin Machine - Baby Universal
Tin Machine - Sacrifice Yourself
The Replacements - Attitude
The Replacements - I Hate Music
Porno for Pyros - Tahitian Moon
Porno for Pyros - Pets
Blur - Song 2
Bootsauce - Scratching the Whole
Mollie's Revenge - Humble
Mollie's Revenge - I Wanna Be
Ministry - TV II
The Monks - Johnny B. Rotten
The Monks - I Ain't Getting Any
The Monks - Nice Legs Shame About the Face
Primus - Jerry was a Race Car Driver
Sam Roberts - This is How I Live
Screaming Blue Messiahs - I Wanna Be a Flintstone
Rollmop - Motra Diem
Rollmop - Picture Perfect
The Sex Pistols - Holidays in the Sun
The Sex Pistols - Liar
Sonic Youth - Lights Out
Split Enz - Hard Act to Follow
Split Enz - What's the Matter with You?
Split Enz - I Got You
Sponge - Go Speed Racer Go
Sons of Freedom - You're No Good
Sons of Freedom - Super Cool Wagon
The Strokes - Hard to Explain
The Stooges - Cock in My Pocket
The Stooges - Down on the Street
The Subways - Rock & Roll Queen
The Subways - In Love
The Subways - With You
Public Image Ltd. - Seattle
Public Image Ltd. - Public Image
Pulp - We Are the Boys
Three Doors Down - Kryptonite
Mother Love Bone - This is Shangri-La
Nerf Herder - Sorry
The Ramones - I Want to Be Sedated
The Ramones - Blitzkrieg Bop
The Ravonettes - That Great Love Sound
The Ravonettes - Untamed Girls
Midnight Oil - Read About it
Midnight Oil - I Don't Wanna Be the One
Manic Street Preachers - Suicide is Painless
The Meat Puppets - Lake of Fire
Pluto - Black Lipstick
MC5 - Kick Out the Jams (Live)
Jane's Addiction - Standing in the Shower Thinking
Jane's Addiction - My Time
Jane's Addiciton - Been Caught Stealing
Lenny Kravitz - Are You Gonna Go My Way?
Kula Shaker - Hush
Les Dales Hawerchuk - Dale Hawerchuk
Les Dales Hawerchuk - Abuse de Moe
Les Dales Hawerchuk - Mais Ou est Donc Carnior?
Husker Cu - Sunshine Superman
Husker Du - Love is All Around
Husker Du - New Day Rising
Husker Du - Never Talking to You Again
The Headstones - Unsound
The Headstones - Fuck You
The Headstones - When Something Stands for Nothing
Harry Gregson-Williams - Training Montage
Harry Gregson-Williams - Spygame Theme
Gordon Downie - We're Hardcore
Gob - Oh! Ellen
Gob - Give Up the Grudge
Gob - I Hear You Calling
Goldfinger - Is She Really Going Out with Him?
Frank Black and the Catholics - Jaina Blues
Frank Black and the Catholics - Western Star
Frank Black - Old Black Dawning
Frank Black - Brackish Boy
Ex-Models - We Can't Put it into Words
Faith No More - From Out of Nowhere
Faith No More - Be Aggressive
Faith No More - Easy
The Faces - Ooh-La-La
Evanescence - Heart Shaped Box
Evanescence - Everybody's Fool
Evanescence - Going Under
The Eels - Souljacker Pt. 1
The Eels - That's Not Really Funny
The Eels - Mr. E's Beautiful Blues
Eagles of Death Metal - I Only Want You
Eagles of Death Metal - You Keep Talkin'
Eagles of Death Metal - SanBerdoo Sunburn
The Clash - Should I Stay or Should I go?
The Clash - London Calling
The Clash - Rudie Can't Fail
The Clash - Death or Glory
Bootsauce - Masterstroke
Catherine Wheel - Don't Wanna Know if You are Lonely
Catherine Wheel - Show Me Mary
Collective Soul - Gel
The Cult - Wildflower
The Cult - Rain
Devo - Through Being Cool
Concrete Blonde - Days and Days
Cypress Hill - Insane in the Membrane
Dead Can Dance - Ocean
Dead Can Dance - African Journey
Dead Kennedys Anarchy for Sale
Dead Kennedys - Too Drunk to Fuck
Nick Cave and the Bad Seeds - Nature Boy
The Offspring - Next to You
The Offspring - Nothing from Something
Panic! At the Disco - The Only Difference Between Martyrdom and Suicide is Press Coverage
Panic! At the Disco - Time to Dance
Papa Roach - Last Resort
Papa Roach - Scars
Paul Westerberg - Waiting for Somebody
Paul Westerberg - Someone I Once Knew
Lou Reed - The Raven
The Dropkcik Murphys - Dirty Water (Live)
The Dropkick Murphys - For Boston
The Dropkick Murphys - The Wild Rover
The Dead Milkmen - Punk Rock Girl
Comeback Kid - Wake the Dead
The Buzzcocks - Ever Fallen in Love?
The Beastie Boys - Intergalactic
The Beastie Boys - Sabotage
Chalk Circle - This Mourning
Billy Bragg - A New England
Billy Squier - Everybody Wants You
Billy Talent - Standing in the Rain
The Black Halos - Some Things Never Fall
Black Rebel Motorcycle Club - Love Burns
Black Sabbath - Paranoid
Black Flag - Rise Above
Dust Brothers - Corporate World
Ming Tea - Daddy Wasn't There
American H-Fi - The Art of Losing
The Arctic Monkeys - I Bet You Look Good on the Dance Floor

- Kennedy

15 June, 2007

Goodbye Hitler of Green Gables

Kennedy Goodkey - Writer DudeIt’s the day after. Time to take down the tents and sweep out the cages.

Last night around 2AM, Craig declared “Ladies and Gentlemen, that’s a wrap on
the Beast of Bottomless Lake!” I had a very brief moment of emotion – sadness and relief – but I had somehow expected it to be more. I figure that I had anticipated that moment so many times that I had, by the time it actually
happened, already processed those emotions. We picked up our things and headed for the cars. Shook some hands and said “see you in the morning” or “see you
on Sunday” – depending upon who was talking.

I ordered Craig to take today off. So far all evidence suggests that for the most part he has.

Today we inventoried equipment and returned the various bits and pieces. Lights and grip equipment, mics and of course our equipment trailer.

We got a great deal from U-Haul on a trailer. You may be familiar with the current U-Haul corporate image: each of their vehicles has a painting on the side of it, each one representing a landmark from some place in North America. Wyoming: Devil’s Tower. The VLA in Virginia; the CN Tower in Ontario and… as appeared on our trailer… Anne of Green Gables, except a previous renter had spray-painted a Hitler moustache on her — something which continued to amuse us right through to the end of shooting. I hope someone has a photo of it [image below right courtesy of the author].

Kennedy Goodkey - Writer DudeI drove Gordon out to the ferry, and on the way home had a little chat with Keith. I’d had a chat with Keith on my solo trip to the Okanagan which made me cry. It had been a good way to start the production. I figured I end it the same way. It wasn’t as emotional as the first talk had been. Not even close really. I suppose that we managed to finish pretty strongly — I am sick as a
dog, but apart from that, strongly – and while there were inevitable issues to deal with along the way, we feel really good about most of what we accomplished in this past month. The fact that things have gone well perhaps makes this less emotionally charged than the uncertainty of the beginning was.

But there we go. We are done. …shooting.
— Kennedy
Writer Dude

05 June, 2007

The World's Biggest Steel Welded Building!

Kennedy Goodkey - Writer DudeOr Vancouver's biggest postage stamp helicopter landing pad? David/Fabrice had a few more descriptions...

I was lucky enough to be able to help out with the weekend shoot at the Vancouver Post Office building, so I thought I would throw down a few notes about my experience.

First a little background on who I am and how I fit in this picture: I have been writing screenplays and short stories for too many years to mention. I have shot many short films/videos since I was a teenager and have always dreamed of working in the film industry. My first passion was for makeup effects, but that soon turned to writing… fast forward many years to 1995. I met Craig through our mutual friend Martin Conde, with whom I had written and shot a few shorts. Craig and I hit it off and we started writing together (Craig - remember the script about three friends that decide to smuggle drugs to fund a movie about three friends smuggling drugs to fund a movie idea? Still has legs baby!)

Anyway that script was a bit too ambitious, so Craig and I wrote Jerry's Day, a feature about a guy turning 30 who is having relationship-family-friendship issues. We shot the movie over the summer of 1999 with Craig directing and me operating the camera. I didn't have much camera experience and the equipment we were using wasn't very good so the sound and picture quality wasn't quite there, although the actors gave fantastic performances, the crew was great and the story itself was pretty solid. I was stressed out the whole time thinking that I was not doing a good enough job for what the project deserved, and by the end of it Craig and I were barely speaking (my fault…). Even with all the problems we had, the experience is still one the highlights of my life.

The only advice I can give everyone that is working on this project is to keep going and stay as positive as you can, even in high stress/problem times. You will look back at these weeks with a HUGE amount of pride in the future, so keep going!!! As for Jerry's Day, we made a preview/trailer but that was as far as it got. I still have the digital tapes waiting to be edited in case anyone out there wants to give it a try - contact me through Craig. Really. I'm serious!

When Craig and Kennedy started working on this project, I was thrilled and jealous at the same time. I offered to do whatever I could to help out, except I was broke and was working full time so I didn't have much to offer. My wife Kerry did manage to get her Dad to donate the use of his house for part of the shoot, so that was something. But then Craig said he was shooting on the weekend! Yeahoo! I could help out after all!!!

Although it took a little persuading to get my wife and kids to agree to lose me for a weekend… I was able to help out at the post office.

How was the shoot? In on one word - HOT! Temperature, quality of work, some of the crew… it covers it all. The dolly shots using a mail cart were very cool. I actually got to be an extra for a scene!

As a crew member I only managed to screw up one take by being caught by the camera, so the damage was minimal. Unless of course, that was THE TAKE, and I'll feel guilt for the rest of my life.

Big thanks to Jill and Scott for being so amazing — Scott arranged for the locations, helped out with everything as a crew member (and extra!) and Jill and Elaine provided four star meals for everyone. I like food. I spent lots of time on Sunday snacking, but mostly during the scene in the meeting room where the temperature was hovering about 110. I'm sure some people sweated-out a few pounds over those hours! Well, I gained them back to balance it all out.

I'm excited to be able to help out again on Wednesday, and I'll be the first in line at the theatre when it comes out!

— Kevin Bennett

01 June, 2007

A Speech from the Father of the Groom

Jerry Mason - plays the ‘Father of the Groom’Ladies and gentlemen, I’d like to thank Lara’s father for allowing me a couple of minutes to say a few words, it’s just very sad that he can’t be here with us this evening, but please be assured that both my wife and I will be visiting him at the Intensive Care Unit first thing in the morning after giving a statement to Transport Canada.

Apart from that unfortunate incident — well, actually plus several others — what a wonderful day it was!

Considering my wife and I only met last month, at the Ramala Ranch resort (with much thanks to the Craig March dating agency, which certainly now comes with our full endorsement, what a perfect match. Craig and both his researchers Kennedy and David certainly do there homework, cleverly financing their company operation by collecting huge amounts of used beer cans — which incidentally must have been taking up the best part of 5 acres at the ranch — anyway, I digress), my wife and I never thought we would see our little Damien getting married… quite so soon… my how time flies!

I must say that we both just loved the ceremony, we noticed all the small touches, even the Commissioner and his resemblance to Patrick Swayze.

Patrick Swayze is not in this movie

But I must take my hat off to the chef, the food was first class. I particularly enjoyed the little gummy cherry flavoured feet… actually I’m still picking them out of my teeth! And brewing a late night pot of coffee in the ladies’ wash room of the yacht club, after the failure of the boat’s generator, was a challenge to say the least! And you didn’t catch me, ladies!

Well, I think I’ve had my few minutes, I know many of you have to travel back to Vancouver.

I would like to add my thanks to all the staff who made today such a success, particularly the ambulance crew.

Finally, just like everybody else here today, we are both so looking forward to seeing the photos and video of Lara and Damien’s special day, particularly all those special little moments that the video-grapher is so clever at capturing.

So, once again, please join me in raising your glasses… Ladies and Gentlemen, Lara and Damien.

— Jerry Mason
‘Father of the Groom’

29 May, 2007

Mother of the Bride Played by Large-Hearted Actor

KWe don’t know what she looks like, but she’s a dollI remember my audition way back last fall; I am fast approaching the half century mark and hoped to get the part of Paul's mom, Anna. I thought it might be a stretch, but I was feeling every bit of my age that day after a game of squash the night before. Thought I could pull it off… but no. I must say I have never been turned down for a part in such a nice way before; thank-you Craig.

I was basking in the glow of his gently and ever-so-slightly backhanded compliment (he was, after all, telling me "no"), when he suggested the part of the bride's mother. ‘Hmmm’, I thought, ‘drive 3 hours to deliver one line? Hmmm.’ I was about to say "no thanks" and, in fact, I think I actually uttered the words, when I noticed Siobhan, casting director extraordinaire, doing something profound with one eyebrow; her eyes seemed to be boring a hole right through my head. I quickly reassessed the situation and a refrain from my past played in my head: ‘no small parts, only small actors’…

"Sure! Sounds like fun" I said, grateful to see Siobhan's eyebrow settle back down.

And so, Friday May 25, I drove down and met some of the people at the Jevon ranch... I was delighted to meet my husband and daughter, her fiancé and his parents, all cast-mates from our hilarious wedding scene on the ‘Love Boat’. However, it seemed like a funny twist of fate that my "husband" (the talented Ray Bailey) and I — who are both a tad vertically challenged — had a daughter (gorgeous Jenn Kirkbride) who towered over us by at least a foot. I suppose it can happen, nutrition being what it is these days…

I had a fabulous time, met some wonderful people, and got to watch some very talented professionals work.

Hmmm… drive 3 hours to deliver one line? In a heart beat. Siobhan, thank-you! And thanks for the opportunity Craig and Kennedy. Your movie rocks!
— Kathy Rollheiser
Mother of the Bride

23 May, 2007

Jedi Master Sound Technician Speaks

Kevin Roberts — Production Assistant [image ©2007, Fabrice Grover]I sleep in the living room and I try to wake up before the majority of the populous awake for the day. This particular morning I had no such success. So I awoke to people talking and eating their morning bowls of cereal. I attempt to shake off the tiredness while Pat laughs at me from the breakfast table. I reach up and drink the glass of water above my head. This makes Pat laugh even harder as I am hidden behind a couch and all he sees is an arm grasping for a glass of water.

After breakfast and packing all the gear we need for the day of shooting, we depart the ranch, (which is particularly beautiful this morning) and head down the road to the Summerland Yacht Club. The lake today is calm and quite. A lake of glass.

We arrive and begin to set up along the dock. Luke and myself unpack the sound gear and begin the set-up. After the gear is ready, we do some stretching and kicking (we're Jedi Master sound technicians).

Kevin Roberts — Extreme Shaolin Jedi Boom Master ExtraordinaireWhen I originally signed onto this project, I was assigned to "do whatever needs to be done Production Assistant" and I did some random things near the beginning, but eventually I became the "boom operator" and I have to admit that it got very old very fast. My saving grace was a few days after Luke arrived for the second time. After endless compliments on how "Fantastic" my "Boom" skills were, he decided that he was a "Jedi Master Sound Guy" and that he was going to train me in the ways which are right and just. I gladly took this challenge upon my shoulders. Within a day or two, I had become what I had always wanted to be: "Extreme Shaolin Jedi Boom Master Extraordinaire" [photo, right].

Anyway, where was I…? Oh yes: We had everything set up, we had finished our stretches, and we were ready for the day. We blew through all the scenes before lunch, and then got to partake in some delicious cake for Bronwen's birthday.

After the fine meal we went back to work, and everything went smoothly until Melanie Blackwell, who is playing the peg-leg princess, lost her tiara in the lake after casting it out into the water on the end of a fishing line in an attempt to catch the Ogopogo with it. We all had a good chuckle over that and moved on.

When we finished all the shots for the day, a bunch of us were standing around waiting for Captain Bob to show up in his slow-ass boat. He was supposed to be at the marina at 1:00PM I believe, and I think he actually showed up at 4:30 or 5:00. The plus side of this situation was that I got some hilarious footage of the gang goofing around and playing games. And Kennedy killed me with his mind powers (I forgot to mention that I have taken it upon myself to shoot the unofficial behind-the-scenes ‘making of…’. Although I do hope that it'll get used for something, like… uhhh… I don't know… on the DVD… huh, Craig? What do you say? I guess we'll have to cross that bridge after I've finished editing it). Needless to say, Captain Bob did show up in his boat eventually, and we all took off back to the ranch. I rode with Kennedy and I got some superb driving shots of him rocking out to music.

Before I get into the events that transpired in the evening, I have to say that staying at the Jevons' Ranch with all the crew and cast is by far one of the best experiences I've ever had. It's like summer camp, but we get to drink lots of beer, and we laugh a whole lot more. Every person on this project is amazing, and I feel very privileged to have met them, and even more privileged to get to hang out with them on a daily basis and share this experience of making a movie.

This particular evening I was feeling a little more tired than usual and after dinner I had a shower and was taking it easy, — I should've started writing this blog — but I was beginning to fall asleep on the “La-Z-Boy®” and the dream world was calling my name. In the back of my head I start to hear a commotion; could I be dreaming? Hardly. Raised voices, yelling, the heavy beat of horse hoofs, you know, the usual, (horses running outside is common place since we're on a horse ranch) but then Pat comes running into the house.

"Kevin, get your ass up, where's your camera, this is ‘E.P.K.’ stuff."

Or something like that, I'm still half asleep. I drag myself up, not bothering to ask questions and grab the two cameras in my bag. I hand one to Pat and we make our way outside.

The details begin to filter in. Apparently a lone horse had come running onto the ranch and through the back yard, fully saddled, and sweating like it'd been running for awhile. There was just one thing missing: a rider. PANIC MODE ON THE RANCH.

Next thing I know I'm running down the road filming or next plan of action. We have people in cars driving around, we have people on phones, we have people being split up into search parties, as our fear is that the rider was thrown from the horse and is lying broken in the hills of Penticton.

Chaos ensues. Then, just as fast as it all started, it all comes to an end as the lost rider comes walking down the road; admitting, to her embarrassment, that the horse had spooked and ran away while getting ready to go out riding. We film the joyful reunion of rider and horse, and head back inside.
Horsies! — image ©2007, Fabrice Grover

The adrenaline of the hunt dies away and I feel tired again. This time I lay in my bed and watch some cartoons with the gang until sleep takes me over again, this time fully until morning, when I wake up again to the hustle and bustle of the morning breakfast rush. This time Pat doesn't laugh at me because he's still asleep. I laugh at him instead.
— Kevin Roberts
Production Assistant / Jack-of-All-Trades)

21 May, 2007

Well I was supposed to blog last thursday when I subbed in for Russell Porter to play Roger!
It was wacky and wild, I spent four hours on the phone changing my flight when it could have been solved with one phone call... anyway!
I was welcomed very warmly and Kennedy and I did our first scene and it was a lot of fun!!
Crazy, crazy...
Everyone was wonderful and the local people Jonathan at the Marina was awesome, running us around in his speed boat!
Soooo much fun!
Flew back to Van the next day to pack my condo and move, came back Sunday night and while shooting today I learned a four page scene in about 5 min with the wonderful help of big K and David Nykl!!
Captain Bob was amazing and the speed boats whipping around made the day!!
The whole crew is great, just the right amount of chaos and serendipity making it magical!

Cheers, Alex Z/ Roger~

New Guy Screws Everything Up

Luke Dunn - Music and Sound GuyWell… I'm new to the production… I was up the first weekend to do the sound design and composition on the mini-trailer they have up, and that was the first time I met the director and most of the crew.

So here's a little background on me: in October of 2006, I decided to head out to Vancouver to start scoring films. I sold what wouldn't fit in my car, packed up my recording studio, and drove across Canada, settling in Vancouver where I now reside.

Now back to the tale…

After leaving that first weekend, and seeing how excited everybody was about the film, I decided to leave my job and head back do the sound recording on set. Having never done sound on the set of a film, I was a bit nervous to say the least. Devin gave me a run down of set protocol the night before my first day; which helped out a lot because before that all I knew was 'action' and 'cut'.

On the first day I arrived on-set on time (good start), had time to kill a butt, and then we were off to unload. I was nervous to begin with, seeing as how the first location was in an empty parking garage (not the ideal location to record sound… unless you like big, hollow sounds).
Fabrice Grover - Photographer, even in the car park
I was all gun-ho and started unloading the trailer… got all my equipment, and started to move it, when the only battery pack we had to run everything fell and cracked…

Everyone stopped and looked as all the blood rushed to my face…

5 min on set and I destroy the fuckin’ battery… loser!

Thankfully the thing still worked, but now I had to spend the next day, the first day off for everyone, fixing the thing so we don't get screwed by the rental place.

Now after the second day, it continues… in a midst of panic, rushing to get set up for the next shot, I accidentally un-plugged Devin as he was backing up the hard drive with all the footage on it.

Thankfully the hard drive wasn't damaged… but this was the second time this happened to Devin that day — not to mention the problems with the last hard drive we're still trying to over-come — and he just about lost it.

All in all I've had a great time so far. It's awesome to have the opportunity to work on a project like this, where everyone is so excited and understanding of my fuck-ups.

We've had lots of problems pop up, but so far we've managed to over-come them all.

— Luke

18 May, 2007

Delicious Silence

Garner and Janet Stone — your cooksUsually I have the words to say, but tonight I don't. This project is something that I never thought I would be part of, the cast and crew are amazing… dedicated and professional (yet, without pay).

When you take a legend and put it on screen it is a special thing. Thank God the project has already put it in tongue in cheek… never before has $20 gone so far (who thought I was a Druggie?).

I feel blessed that Janet and myself can be part of this. Yes, we are only extras and cooks for the crew, but we have met the most creative and talented people that would dare to be an independent film company. It is refreshing to see a group of people who believe in what they are doing, and where they are going. Despite the sunburns and being dead tired, this group of actors and crew keep going… and going…

Shooting in the heat of Day Two — Image ©2007, Fabrice GroverIt has been our pleasure to try to feed this group and keep them nourished. Thanks to David, Craig and Kennedy and everyone else for letting us be a part of this. I want all of your autographs and eventually a DVD , if the movie sucks or rocks, I will have a great momento… lol.

Believe in what you are doing; we believe in you.

By the way, watch out Penticton: we are the un-official tour guides for the night crew (Sat 19th) and only trouble follows us… lol

— Garner and Janet Stone (your cooks)

17 May, 2007

Sentimental Journies by Bagpipes

Siobhan Shaw — Casting Director and Associate ProducerWOW! What an amazing day I had on set today. I have been working on this project for a year and today was the most fun and the most emotional I have had to date. We started our day at the ranch with Samuel Doyle playing ‘Ozzie Livingston’ and once that was finished we packed up the cars and headed to Summerland Yacht Club where Kennedy ambushed me , asking me to write for the blog. With that request, I felt a wave of apprehension wash over me as I was wondering what in hell was I going to say. The excitement and tribulations of the last few weeks of preparation and the first few days of the filming, the fact that I haven't been able to sleep much, and being faced with Mother's Day less than 5 months after my own Mother's death, had left me exhausted and pretty much brain-dead. Now I look back and wonder how I could have been so foolish because today was absolutely incredible. The best day so far. For those of you that missed it, I am dreadfully sorry.

We were set up on the rocky breakwater along the edge of the lake with ‘Ozzie’ in full Scottish regalia [image, below right] — there's something about a man in a kilt that screams bravery. He began playing the bagpipes.

There are two things that make me bawl like a newborn: the song “Sentimental Journey” and the mournful tunes of the bagpipes. They have been a thread throughout my life connecting my past, present and future.

I would sing “Sentimental Journey” for my parents’ friends at dinner parties when I was a little girl with hopes and dreams of becoming an entertainer. The wail of bagpipes were ever-present as I was growing up in Glengarry County, a Scottish stronghold in Ontario.

Samuel Doyle playing both ‘Ozzie Livingston’ and the bagpipes simultaneouslyThe song makes me cry because it is the same song my sisters and I sang to my Mum… "Seven / that's the time I leave at: seven / I'll be waiting up in heaven… da ta dada da dadada da…" as we held her close , and at 7 o'clock on the 17th of December (note today's date) she took her last breath.

The instrument brings tears to my eyes because the wail of a lone piper could be heard as my Father's funeral procession made its way to his final resting place.

Well, you can imagine , there I was sitting crossed legged on the craggy rocks with tears streaming down my face, everyone around me packing up the equipment to move to the next location (Shari took one look at me and was herself on the verge so this blog should get her). My emotion was raw and as I sat there I felt so connected to the grief Craig and Kennedy feel for their dear friend Keith.

Yet despite all the sadness the bagpipes brought, they also lifted me up and gave me courage, the same courage I know Kennedy and Craig must have had to embark on this great tribute to their friend (I wonder if they also build the piper's courage to walk around in public in a skirt?).

The day went from one extreme to the other with the afternoon bringing a thrilling speedboat ride over the waves of Lake Okanagan.

WOOOOOOOO-WHOOOOOOOO YEEEEEE-HOOOOOOOO! (as in the song Fergie sings)… Was that a gas… and it was my first time ever on this lake!

Kennedy and Craig, thank-you for allowing me to be a part of your journey. It has been amazing. I am honoured to help you make this movie in Keith's memory. As someone very dear to me said as he faced his battle with cancer, “love transcends death. It is the best thing you leave behind and the only thing you take with you.” How true (although it does sound like a verse from a greeting card). I end the day now with a smile on my face and peace in my heart.

— Siobhan Shaw
Casting Director & Associate Producer, Okanagan

[oh and I also went shopping at Costco for food for crafty with Craig and Rob… and I have written a few articles for The Beast for local papers and magazines… and found some of the locations — sorry to the cast and crew for showing the guys Bertram Park and even sorrier if we end up having to re-shoot there — oh and, yeah, now I keep track of takes on set… have I forgotten anything…? I'm sure I have…]

16 May, 2007


Bronwen Smith - Actor BabeThe Secret believers would have me think that I brought this on myself, maybe I did…

Before we began principle shooting, the cast got together for a read-through in Vancouver a couple of weeks ago and then rehearsed some scenes. Fabulous idea. A great opportunity for us get to know each other and work out some of the technicalities of blocking (which will potentially save some time on set). We made some great discoveries, one of the biggest being the parallels of the Beast story to that of one of our greatest television series of our generation: Scooby-Doo.

Cool. Except I don’t wanna be Velma!!

Today on set, these Scooby-ish parallels began to show. We started off our day shooting the arrival of the team in Kelowna. The Juanabees van (‘The Mystery Machine’) rolls up to the resort, stops and the team piles out. Great, nice easy shot. Stewart (‘Shaggy’, played by Kennedy Goodkey) drives the van, hits the mark perfectly, we get out of the van and hit our actor marks. The van doesn’t understand that once it hits its mark, it is to stay in position. No. It wants to be the center of attention and pull focus from the actors so it starts rolling backwards. David Nykl [below, wearing hat] stays in character as Paul (or is that Fred?) and simply points out the rolling van to Stewart, who saves it from rolling into the hotel guests’ parked cars. Umm, no need to try to recreate this golden comedic moment for our other takes – it happened every time. The Juanabees van just didn’t ‘juana’ stay put.
David Nykl, being interviewed by the press — photo ©2007, Fabrice Grover
Then we moved inside the lobby of the Manteo Resort (soooo beautiful!) for our next shot of the day. Paul runs into some problems with the team’s room reservations and pisses off the wrong hotel clerk (played masterfully by Rebecca Coleman). The scene starts with Paul, in line to check in and the rest of the team enters part way through the scene. So Stewart, Sondra (‘Daphne’ played by Leanne Jijian Hume), Neville (‘Scooby-Doo’, no acting required by Roger Haskett), Ernie (sharing the role of ‘Scrappy’, played by Fabrice Grover) and Leslie (moi) enter into the scene just when Paul is losing our room reservations. While waiting for action, Fabrice and Leanne were chatting with one of the employees of the Manteo. I stepped in to join the conversation only to have this resort employee turn to me look me up & down and say, “You must be the ‘Velma’ character.” Jinkies!

Lesson learned. Spend less time wishing I wasn’t cast in a role reminiscent of the unattractive, closeted lesbian character from a ’70s cartoon, spend more time manifesting a fabulous experience in B.C.’s stunning Okanagan with an unbelievably fantastic assembly of crew, cast, and countless volunteers. No need. It’s already manifested!

— Bronwen

P.S.: Check out my cat Hornhine on www.cutewithchris.com, he's a guest star on episode #115 and his name is mentioned on this week’s episode #120!