Goodbye Hitler of Green Gables

It’s the day after. Time to take down the tents and sweep out the cages.

Last night around 2AM, Craig declared “Ladies and Gentlemen, that’s a wrap on
the Beast of Bottomless Lake!” I had a very brief moment of emotion – sadness and relief – but I had somehow expected it to be more. I figure that I had anticipated that moment so many times that I had, by the time it actually
happened, already processed those emotions. We picked up our things and headed for the cars. Shook some hands and said “see you in the morning” or “see you
on Sunday” – depending upon who was talking.

I ordered Craig to take today off. So far all evidence suggests that for the most part he has.

Today we inventoried equipment and returned the various bits and pieces. Lights and grip equipment, mics and of course our equipment trailer.

We got a great deal from U-Haul on a trailer. You may be familiar with the current U-Haul corporate image: each of their vehicles has a painting on the side of it, each one representing a landmark from some place in North America. Wyoming: Devil’s Tower. The VLA in Virginia; the CN Tower in Ontario and… as appeared on our trailer… Anne of Green Gables, except a previous renter had spray-painted a Hitler moustache on her — something which continued to amuse us right through to the end of shooting. I hope someone has a photo of it [image below right courtesy of the author].

I drove Gordon out to the ferry, and on the way home had a little chat with Keith. I’d had a chat with Keith on my solo trip to the Okanagan which made me cry. It had been a good way to start the production. I figured I end it the same way. It wasn’t as emotional as the first talk had been. Not even close really. I suppose that we managed to finish pretty strongly — I am sick as a
dog, but apart from that, strongly – and while there were inevitable issues to deal with along the way, we feel really good about most of what we accomplished in this past month. The fact that things have gone well perhaps makes this less emotionally charged than the uncertainty of the beginning was.

But there we go. We are done. …shooting.

— Kennedy
Writer Dude

The World's Biggest Steel Welded Building!

Or Vancouver's biggest postage stamp helicopter landing pad? David/Fabrice had a few more descriptions...

I was lucky enough to be able to help out with the weekend shoot at the Vancouver Post Office building, so I thought I would throw down a few notes about my experience.

First a little background on who I am and how I fit in this picture: I have been writing screenplays and short stories for too many years to mention. I have shot many short films/videos since I was a teenager and have always dreamed of working in the film industry. My first passion was for makeup effects, but that soon turned to writing… fast forward many years to 1995. I met Craig through our mutual friend Martin Conde, with whom I had written and shot a few shorts. Craig and I hit it off and we started writing together (Craig - remember the script about three friends that decide to smuggle drugs to fund a movie about three friends smuggling drugs to fund a movie idea? Still has legs baby!)

Anyway that script was a bit too ambitious, so Craig and I wrote Jerry's Day, a feature about a guy turning 30 who is having relationship-family-friendship issues. We shot the movie over the summer of 1999 with Craig directing and me operating the camera. I didn't have much camera experience and the equipment we were using wasn't very good so the sound and picture quality wasn't quite there, although the actors gave fantastic performances, the crew was great and the story itself was pretty solid. I was stressed out the whole time thinking that I was not doing a good enough job for what the project deserved, and by the end of it Craig and I were barely speaking (my fault…). Even with all the problems we had, the experience is still one the highlights of my life.

The only advice I can give everyone that is working on this project is to keep going and stay as positive as you can, even in high stress/problem times. You will look back at these weeks with a HUGE amount of pride in the future, so keep going!!! As for Jerry's Day, we made a preview/trailer but that was as far as it got. I still have the digital tapes waiting to be edited in case anyone out there wants to give it a try - contact me through Craig. Really. I'm serious!

When Craig and Kennedy started working on this project, I was thrilled and jealous at the same time. I offered to do whatever I could to help out, except I was broke and was working full time so I didn't have much to offer. My wife Kerry did manage to get her Dad to donate the use of his house for part of the shoot, so that was something. But then Craig said he was shooting on the weekend! Yeahoo! I could help out after all!!!

Although it took a little persuading to get my wife and kids to agree to lose me for a weekend… I was able to help out at the post office.

How was the shoot? In on one word - HOT! Temperature, quality of work, some of the crew… it covers it all. The dolly shots using a mail cart were very cool. I actually got to be an extra for a scene!

As a crew member I only managed to screw up one take by being caught by the camera, so the damage was minimal. Unless of course, that was THE TAKE, and I'll feel guilt for the rest of my life.

Big thanks to Jill and Scott for being so amazing — Scott arranged for the locations, helped out with everything as a crew member (and extra!) and Jill and Elaine provided four star meals for everyone. I like food. I spent lots of time on Sunday snacking, but mostly during the scene in the meeting room where the temperature was hovering about 110. I'm sure some people sweated-out a few pounds over those hours! Well, I gained them back to balance it all out.

I'm excited to be able to help out again on Wednesday, and I'll be the first in line at the theatre when it comes out!

GO POGO GO!

— Kevin Bennett

Jinkies!

The Secret believers would have me think that I brought this on myself, maybe I did…

Before we began principle shooting, the cast got together for a read-through in Vancouver a couple of weeks ago and then rehearsed some scenes. Fabulous idea. A great opportunity for us get to know each other and work out some of the technicalities of blocking (which will potentially save some time on set). We made some great discoveries, one of the biggest being the parallels of the Beast story to that of one of our greatest television series of our generation: Scooby-Doo.

Cool. Except I don’t wanna be Velma!!

Today on set, these Scooby-ish parallels began to show. We started off our day shooting the arrival of the team in Kelowna. The Juanabees van (‘The Mystery Machine’) rolls up to the resort, stops and the team piles out. Great, nice easy shot. Stewart (‘Shaggy’, played by Kennedy Goodkey) drives the van, hits the mark perfectly, we get out of the van and hit our actor marks. The van doesn’t understand that once it hits its mark, it is to stay in position. No. It wants to be the center of attention and pull focus from the actors so it starts rolling backwards. David Nykl [below, wearing hat] stays in character as Paul (or is that Fred?) and simply points out the rolling van to Stewart, who saves it from rolling into the hotel guests’ parked cars. Umm, no need to try to recreate this golden comedic moment for our other takes – it happened every time. The Juanabees van just didn’t ‘juana’ stay put.

Then we moved inside the lobby of the Manteo Resort (soooo beautiful!) for our next shot of the day. Paul runs into some problems with the team’s room reservations and pisses off the wrong hotel clerk (played masterfully by Rebecca Coleman). The scene starts with Paul, in line to check in and the rest of the team enters part way through the scene. So Stewart, Sondra (‘Daphne’ played by Leanne Jijian Hume), Neville (‘Scooby-Doo’, no acting required by Roger Haskett), Ernie (sharing the role of ‘Scrappy’, played by Fabrice Grover) and Leslie (moi) enter into the scene just when Paul is losing our room reservations. While waiting for action, Fabrice and Leanne were chatting with one of the employees of the Manteo. I stepped in to join the conversation only to have this resort employee turn to me look me up & down and say, “You must be the ‘Velma’ character.” Jinkies!

Lesson learned. Spend less time wishing I wasn’t cast in a role reminiscent of the unattractive, closeted lesbian character from a ’70s cartoon, spend more time manifesting a fabulous experience in B.C.’s stunning Okanagan with an unbelievably fantastic assembly of crew, cast, and countless volunteers. No need. It’s already manifested!

— Bronwen

P.S.: Check out my cat Hornhine on www.cutewithchris.com, he's a guest star on episode #115 and his name is mentioned on this week’s episode #120!

"Next!!" — A tale of two hats (part deux)

Well, here it is, the big day. The day I have been looking forward to all these months. Today I get to shoot my scene.

We were shooting today at the Manteo Resort (www.manteo.com), which is — to quote the script — "gorgeous". Right on the lake, beautiful buildings, and our holding is in a large upstairs room with a massive deck overlooking the resort and the water. A far cry from yesterday's holding — this felt like the lap of luxury.

The first shot of the day was of “Paul” and the gang (henceforth known as the Scoobys), entering the resort in their van and getting out at the front entrance. The second scene takes place inside the resort, at the check-in counter, and I am the check-in clerk. Unbeknownst to Paul, however, there has been some sabotage, and the check-in does not go smoothly.

Because we were shooting at the actual check-in counter of the actual resort, we had to actually stop, fairly often actually, to let the the actual check-in clerks do their actual job.

I went to set around noon, I think, complete with my funky, green Manteo uniform. The scene was further complicated by the presence of background performers; necessary for sure, but adding an extra layer of work for our Director, Craig March [photo, right].

We wrapped up the whole scene around 4:30. There was no way we could stop for lunch, because the Manteo people were being so great letting us use their space, we needed to get the shot and get out of there as fast as possible. So we just pushed through. I was pretty pooped by the end of it. I think I had only had a bagel for breakfast, and then some kind of power bar thingy, so by the time we got to the end of the scene, I was tired and hungry, and we were all getting a little punchy.

Still, it felt great. The work was good, I think, and we had so much fun. It was amazing for me to be there, on set, with the other actors, to take my place there, to rightfully belong.

My favourite part of the day, however, had nothing to do with acting or being on set. It was after, at the ranch, eating dinner, having a glass of wine around the big table outside with the gang. Talking, telling stories about our days and our lives, just kicking back and hanging out.

We also stayed up to watch the 11 o'clock news together. CHBC aired a story on The Beast of Bottomless Lake.

Pretty perfect day.

— Rebecca

Wrestling, pants, “Big-Me”, and drawing

In the film, I have to wear short shorts, but I didn’t have any. So my Mom cut off my jeans with the hole in the knee and made them into short shorts. I started singing: “Who wears short shorts? I wear short shorts!”

Also, to pass the time while I was waiting to film, I drew a drawing of me wrestling three tires and a hockey stick. Then Craig March — the director of The Beast of Bottomless Lake — saw my drawing and put it in the film! Finally, my other “art” has been put on display!

When we were filming, I had to go into freezing water with socks and sandals and wrestle three tires and a hockey stick (Ogopogo). It was fun because I got to make all these weird, funny faces in front of a camera!

Since I play the younger version of the main character ‘Paul’, I had to look like David Nykl, so I loaned him the necklace I wore during the shoot. Now he looks just like me! We call ourselves “Big-Me” and “Mini-Me”!

Thanks to Craig, Kennedy, Keith, and the rest of the Beast… gang for this great experience!

See you on the big screen!

— Thomas Fournier

Union Tale Finale

Oh this is precious.

I’m really just going to let this one speak for itself, with the minimal amount of set up.

An email from a few days after we submitted our package to UBCP:

From: Lesley Brady
Sent: Wednesday, April 25, 2007 4:18 PM
To: Kennedy Goodkey
Subject: Beast of....

Kennedy:

We will require the completed list (appendix A) with all partners listed and signed off before we can counter sign to accept it. How soon will you be able to get that? Also, when do you go to camera?

Regarding your insurance, will you please provide, when available, proof of your insurance?

Thanks,

Lesley Brady
Business Agent, Film & Television
Union of BC Performers

And my response:

From: Kennedy Goodkey
Sent: Wednesday, April 25, 2007 4:32 PM
To: Lesley Brady
Subject: RE: Beast of....

Lesley,

Partners list... oh crap... we've had a miscommunication then. From my understanding of your's and my previous conversation, the real concern was the UBCP members - and the rest could wait.
Umm, I will look at it first thing tomorrow and get a realistic guess. With so many of the partners in the Okanagan<>th,

Insurance... I understand that it was paid today - I will make arrangements to have proof send ASAP.

Kennedy

The day I dutifully got those additional signatures in was Monday May 7^th. That day Lesley and I had about email exchanges and again the next day. The specific content is rather dull and boring, the important point being that we talked several times back and forth about the details of the additional signatures and nothing else – I have these emails, but I’m not going to bore you with them.

Since then…

Not a word. Not a thing. We have waited by the phone for the call saying “Alright! Go ahead!”
Today is the last business day before we go to camera. Still nothing. With two hours before the Union office closed I sent the following email as a response to the thread that inquired and provided a response to our first day of filming – so all of that information was included:

From: Kennedy Goodkey
Sent: Friday, May 11, 2007 2:30 PM
To: Lesley Brady
Subject: RE: Beast of....

Hi Lesley,

Just checking in to see where things are at on your end in the MIP?

- Kennedy

The response: (I have redacted the names of the innocent.)

From: Lesley Brady
Sent: Friday, May 11, 2007 2:30 PM
To: Kennedy Goodkey
Subject: RE: Out of Office AutoReply: Beast of....

Thank you for your email. Please note that I am currently away on vacation and will not be returning until Monday, May 28^th.

If you require more immediate assistance please redirect your email to Txxxx Cxxxx, Manager Film & Television at txxxx.cxxxx@ubcp.com.

If your inquiry is regarding our Ultra Low Budget Program, please forward your inquries to Lxxxx Lxxxxx at lxxxx.lxxxxxx@ubcp.com.

Thanks and have a great day.
Lesley Brady

Do you think she ONCE mentioned that she was going away? No.

I sent the following email to the redacted ladies mentioned above:

From: Kennedy Goodkey
Sent: Friday, May 11, 2007 3:21 PM
To: lxxxx.lxxxxxx@ubcp.com; txxxx.cxxxx@ubcp.com
Subject: RE: Out of Office AutoReply: Beast of....

Lxxxx & Txxxx - (Apologies I'm not quite certain which of you this should be addressed to.)

We have a MIP application in to Lesley Brady (Submitted April 23rd) and we have not heard back on it. We go to camera on Monday (May 14^th) which she was explicitly informed of on April 25^th, if it was not communicated earlier. I.E. Today is the last business day. We even emailed each other as recently as Tuesday of this week - and I felt all looked well so I did not worry.

Until today...

I sent her an email inquiring about the status a few minutes ago and got the Out of Office Auto-Reply directing me to each of you in various circumstances, and I'm not sure which applies.

Sorry that this is very 'last minute' - the folly of my being too patient.

My number here is 604-xxx-xxxx. Or via email at this address.

I'm not sure what the prudent way to proceed would be.

- Kennedy Goodkey

Now, there IS a happy ending to the story. Redacted Lady #1, Lxxxx (which is not pronounced the way it is spelled) phoned the Provost Pictures office around 4pm with news.

Long story short: The person who is signing off on the application was not available before Lesley left for vacation. The application will likely be signed off on on Monday. If not it will be shortly thereafter. Lesley just neglected to inform us.

“So, let me get this absolutely clear, Lxxxx. We can go ahead with impunity, despite not having official word.”

“Yes.”

“Thanks Lxxxx.”

Now, if you’ll excuse me, I must go find a squirrel to shit upon.

— Kennedy

Fortunate Meeting

There are actually a number of things worth mentioning…

A week ago yesterday I met with Neil Every regarding the script. Ouch. Well... good and bad. He generally loved the script, but I walked away with three pages of notes — most of which rang really true — of things he felt we could improve.

Gawd… we've done this how many times? I'm tired of rewriting this damned script.

We'll do it, but… augh!

If Neil's notes didn't feel right, it would be a different story. Much of what he had to say appeared to me to be symptoms of minute changes in various directions which have gradually dragged the script away from strengths it once had in order to serve other elements that needed to be buoyed up.

I guess it feels a bit like the wheels are spinning.

But in other news…

I scored a gig that technically speaking I have no business doing. It's only about 5 or 6 days of work, but I got a job on an indie-feature wearing a number of hats — in this case I was brought on as the B-Roll director/camera-operator, but it has morphed/blossomed into B-Roll/B-Cam/2nd Unit/1st A.D. (when the real 1st A.D. is unavailable)/and now possibly location scout. It's certainly the nature of Indie film, but the difference between this and anything else I've ever done is that there are some very real star-power (Canadian famous) in this one.

But the real story here is that the Senior Investment Analyst for Telefilm is one of the producers.

He knew who I was — he had been impressed by the eBay initiative. He gave me his card and wants to talk. Yoiks.

- Kennedy

Features First, left behind

Blah.

Okay, we blew it. Sort of.

Craig is now off in Toronto for a few months, which makes things harder. We knew this was going to happen, but I don't think we quite appreciated its impact… but I suppose that is sort of shifting blame a bit too. I did just lose the better part of a month to rehearsing and performing a Fringe Festival Show.

Wendy and I met, night before last to get our Features First application back on track. Part way through the evening I admitted that for various reasons I feel like Features First is the wrong program for us. Part of that is a certain fear of someone trying to push us to make the film something that it was never intended to be, but that is going to be a reality no matter how we get this thing made. I feel like the Features First schedule (over 10 months) is contrary to what our intentions are — this film is going to happen in the spring, not a year hence. Having said that, the Features First program would be an awesome experience — I just don't think that this is the right project.

Further on in the meeting Wendy made a call to a professional acquaintance to ask about some budgeting information. From the one side of the conversation I heard I could grok a lot of info.

1. Wendy was getting a lot of insight out of the discussion
2. We weren't going to get the budget done right on time.

When she hung up that was exactly what she imparted. Yes, we could get the budget done on time, but not well — and certainly not for free, or even cheap. Ah the immortal equation: Speed, Quality, Cheap... pick two.

But we did get put onto something else... the CFC's Feature Film Project. Very similar to Features First in both application requirements and benefits, but even more suitable to our needs and with a deadline an extra two weeks away (a critical amount of time) AND with a second application date in January.

In the end this was kind of a no-brainer.

- Kennedy

Report from the ReelFast Frontlines

The ReelFast gala was last night.

I can't say I've ever enjoyed it more. The top ten films were actually the top twelve (five years running that there was a tie for the 10th place — me thinks they should put a process in place to deal with that), and not one of them offended me as a choice. There were two which I would not have picked as top ten, but neither upset my sensibilities.

I ran into Rob Neilson who was our editor for last year's project. He's doing quite interesting stuff around town these days. I know he's aching to direct a comedy. He apologised for not making it to our launch, but wanted to discuss the project. It didn't really happen last night, but we did discuss discussing it. I don't know what we'd do if he said he wanted to direct and could add some promise to it really happening. ‘…Cross that bridge when we come to it’, I guess.

Also got to thank Lori Triolo for the Cold Reading Series' donation to the project.

Her film made the top ten. Nice piece. Their location was our submission (our photograph was poorly used in the Audience Choice Award winner, and our food donation also made it into a top ten film).

Our auction winners have started contacting us. Tracey is going to handle the $$ business and then we'll take over from there.

- Kennedy

Is this it?

Well, I'd hoped for better, but with only four hours left until the auctions are over, I'm betting we're pretty much looking at our final price. But our hits are pretty great.

Craig sent me an edit of the script yesterday, I just finished going over it. Lots of good food for thought. Certainly freshened my mind as far as the structure goes. I'm resisting two of his larger changes, but in so doing I've been forced to more carefully consider

1. what the scenes in question accomplish in the movie
2. if there aren't better solutions than either what existed or what he did.

In both cases I think we're on our way to a cleaner solution to the plot points involved.

In one case, I think he over-cut in order to fix a problem (and actually failed to cut a portion that was even more of an issue in the same problem); in the other, I think he cut where he should have been adding (and not much adding at that). He came up with a few other changes which generally were positive and if anything inspired me to think outside of what we'd already established. Hopefully this draft will round out in a few days.

Craig is leaving for Toronto soon (Sept 1st). Kind of scary. Just as we need to kick out the jams on our NSI application.

- Kennedy

More and more…!!! BRICKWALL!!!

Well, we got featured in a front page article in the Vancouver Sun business section on Monday, and our price on the Executive Producer credit went up by 400%. That's the good way of saying it. The other way is to say that it went up by almost $400. But the publicity remains positive and we haven't lost any money, which is even better. Still two days to go.

We got notification that Playback magazine will be featuring us on the 29th. Not soon enough to benefit the auction, but still good press to use.

Big couple of days.

The screenings for ReelFast were yesterday and the day before. I used Monday to do a bunch of networking. That went well.

Last night there wasn't much networking left to do, I'd pretty much worked the room. But it was the screening of my ReelFast directing début — as flawed as it was. The audience gave it a big round of applause when it was done, and reacted positively throughout. The three shots that I expected to get good responses, did, which makes me think I do have a sense of what people like and don't like. And the applause afterwards shows me that our effort was seen — even though the realization fell shy. Lots of good comments afterwards.

Phil Mahoney came to me last night with a CD and DVD demo-reel combo. He asked if we had a composer for The Beast yet — cool acknowledgement. I feel a bit like last night that, despite the short-comings of the my entry, I have been legitimized as a film-maker. It wasn't all last night, but last night was where my peers got to say 'hey, we respect you.'

Yesterday I met with Neil Every during the day. We had a good chat. He's offered to do coverage on The Beast — which is great. It'd be awesome if we could get more from him beyond that, but we'll wait and see. His feed-back yesterday alone was awesome. Raised some big questions for Craig and I to consider.

We also discussed Features First, which we are planning to apply for (despite the fact that it'll change our shooting schedule). He is planning to go for it too. Speaking of Features First, I also ran into Justin McGregor last night who is in the middle of the program right now. He agreed to let me pick his mind for a beer to four.

— Kennedy

A Quiet Saturday

Craig and Wendy and I had an early start today. Woke at 6am for a 7am meeting.

We are a bit in "what now?" mode.

We're a bit confused by the response on eBay. Lots of hits as far as we're concerned, but the price is growing pretty slowly. On one level we know that the heavy hitters aren't even going to get involved when the price is this low — certainly not until the end. Why would they come and inflate the price now? But it's unsettling. The price still grows, but it has yet to pay for the launch… not that the launch was about much more than getting some attention — which it succeeded in doing. But with all this attention, why is there such cautious bidding? You'd think that average joe would be thinking "Wow! I could buy a chance to advertise in a movie for a pittance!" I dunno. We've got attention — that's the bottom line.

We really met to discuss additional funding possibilities. We have to work towards getting other money. Pure and simple. And we can't drop the ball when we've got this momentum going.

In the interviews so far we keep getting asked the same question. I hate having to dodge it. "What is your budget?" The real answer is, the budget is whatever we get, but we can't fucking SAY that — well, I just did, but I mean we can't say that in a newspaper article! And when we meet with investors we need to have a detailed budget. We've had a number of doors open along those lines and we can't go in and screw our credibility by not knowing what we're asking for. We were under such pressure to get the launch up and the auction well done that we dropped all other tasks.

We've got to get this done and fast. Craig is going to do a budget this weekend, but that's a weak solution. We need to get someone who knows their stuff to do it up and fast.

Not liking this very much. I dreamed that there was a bit of a break here. What a knob I was. At least the phone isn't ringing... a quiet Saturday... is that really a good thing?

- Kennedy

More Media

The Toronto Sun featured us today.

Hitting a paper in a major city other than Vancouver is a major vindication.

The bids are still low, but the hits on the auctions are growing fast. I can't begin to assess what this means. At least all three auctions have bids now.

Hopefully this blog and our trailer will be linked to our site soon.

Apparently Playback Magazine is going to call for an interview today, too. No doubt we have succeeded on some level when it comes to getting people's attention.

I was at a play opening yesterday and practically everyone I knew there had heard of it and declared it as a ‘genius idea’. Well, it's only a genius idea if it works.

- Kennedy

The Day After…

Last night, after a harried six weeks of planning, we launched Provost Pictures and went public with our original Publicity and Funding strategy.

The attendance at the event was both less than we'd hoped, but better than we'd feared. I'm guessing there were 75 people there over the course of the evening… although I doubt anyone actually did a head count.

I was exhausted before we opened the doors, but I managed to push through the evening. But when I got home I think I fell asleep in mid-sentence when talking to Eden.

I am still pretty scattered — it was a long haul up to yesterday and the event was preceded by the 48 hour film-competition, which I had committed to before we set a date for the launch. Hopefully I'll ‘reel it in’ (pardon the pun) in the next few days. So apologies for the dis-jointed nature of this post.

The short version is:

• Provost Pictures is a company formed in order to film a feature length film entitled The Beast of Bottomless Lake which I began writing with my friend Keith in about 1998. It was originally titled The Nightmare Beast of Blood Lake: A Scientific Overview and has had almost as many titles as drafts.
• Keith and I brought another collaborator on board in 2000. Craig March. Craig and I had been in an independent film together called Sons of Cohen (don't bother trying to find it) and he and Keith had long been looking for a chance to work together.
• In the late spring of 2001, just as we were getting a bunch of attention on the screenplay — during “National Bike Month” of all things — Keith was killed in a bicycle accident.
• Needless to say this wasn't good for the project or us, and despite our best intentions the film got un-officially shelved.
• Eventually Craig and I got back to the script and with the help of a story editor - Mark Leiren-Young - we finished a nice tight version of the script which eventually was read at the Final Draught Reading Series.
• The Final Draught reading was a BIG success. It was one of Final Draught's best attended evenings. And the seemingly endless laughter was truly vindicating. God how I wish Keith could have been there to see it. Janet, Keith's wife had it videoed for posterity.

Fast Forward to about six weeks ago…

• I read something — I can't even recall what now — in a newspaper about the latest stupid thing that someone had put up for auction on eBay… I think it was 'Run-away Bride Toast'… and it had sold for some embarrassingly high price. Just criminal. I thought to myself, I'd like to get a piece of that action, but it also occurred to me that there had to be a law of diminishing returns applied to it and that the fad of selling stupid stuff on eBay was bound to come to a crashing halt soon. I asked myself 'how could someone find a new and refreshing twist on the idea?' It struck me that the answer lay in finding something equally 'out-of-the-box' yet significantly more pragmatic than toast.
• I was riding my bike home from Eden’s when it struck me: The film… how many times had Craig and I tried to get money for the damned thing? We'd been so close several times, but it always fell through. I knew I had my answer.
• I called Craig the moment I walked in the door. I knew that it was only a matter of time before someone else tried it.
• Craig brought Wendy on board, and we formed Provost Pictures in honour of Keith.

It was a LOT of work to get to last night. I already mentioned my ReelFast project, and I was also committed to doing a show in the Fringe Festival based on one of my favourite books, Cosmic Banditos (an authorized adaptation, no less) — which is not to mention that I also somehow had to do all this work and keep my lovely girlfriend as my girlfriend (somehow I managed to pull that off).

ReelFast was ludicrously exhausting. I've done the contest four times before. Never has it been such hard work — but we only have ourselves to blame, we decided to shoot the entire thing one frame at a time with still cameras as stop-motion. But I digress…

Awake doing the contest for 48 hours, then a short night's rest, followed by two days of prep for the Launch.

The launch was a lot of fun.

We showed a trailer that Craig shot two weeks ago (and I edited in the week before ReelFast). And then announced our crazy scheme. When we announced the feature auction the room went crazy — a huge cheer. You could BUY Executive Producer Credit on our film. We'd clearly captured something.

Once we were done I was handed a number of beers (No wonder I fell asleep in mid-sentence — sorry Eden, I love you.) and finally got to relax.

I lost track of the number of people I chatted with over the next 90 minutes, but there was a lot of excitement in the room. A lot of sentiment along the lines of “Wow. What a great idea! How come on one has ever done that before?”

Today, we've had a number of media interview requests; the interest in our product placement has begun — we've had to answer questions of bidders already — and in the time I've been writing this post, the bids on our Executive Producer Credit has gone up by 10 bids. The money is still pretty low, but we're already getting to the point of breaking even on the launch — which at least means we're not losing anything.

I'm curious if this is just the beginning… when word starts to spread…

Of course that was always part of the plan.

— Kennedy